Investigates questions of what the New London Group calls "multiliteracies." Looks carefully at various texts associated with the television show "Felicity" and considers what they have to say about contemporary popular literacies. Considers how "Felicity" acts as a kind of core sample, extracted from the broader soil of popular culture to help explore some workings of contemporary literacies. Discusses implications for the English classroom.

Describes one element of the reading act as it operates in time--how "good-enough" readers of complex fiction strike a personal balance between the need for momentum and the need for accountability to the text. Draws from protocols provided by 33 readers, from eighth grade to Ph.D. level, following two readings of a novel.