Research Article| September 01 2020 (Re)-Signing Reconciliation: Reading Obama’s Charleston Eulogy through a Rhetorical Theory of Adaptive Racism Mark Lawrence McPhail Mark Lawrence McPhail Mark Lawrence McPhail is a Senior Research Fellow in the Office of Diversity, Equity, and Multicultural Affairs at Indiana University. I wish to thank Professor Martin Medhurst for his sustained and ongoing commitment to inclusive excellence, diversity, and equity, Professors Aaron David Gresson, III, John Hatch and David Frank for their courage, commitment, and integrity, and Dr. Evelyn Boise Bottando for showing me the clear connection between white privilege, innocence, and sociopathy. Search for other works by this author on: This Site Google Rhetoric and Public Affairs (2020) 23 (3): 529–552. https://doi.org/10.14321/rhetpublaffa.23.3.0529 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Mark Lawrence McPhail; (Re)-Signing Reconciliation: Reading Obama’s Charleston Eulogy through a Rhetorical Theory of Adaptive Racism. Rhetoric and Public Affairs 1 September 2020; 23 (3): 529–552. doi: https://doi.org/10.14321/rhetpublaffa.23.3.0529 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveMichigan State University PressRhetoric and Public Affairs Search Advanced Search The text of this article is only available as a PDF. © 2020 Michigan State University Board of Trustees2020 Article PDF first page preview Close Modal You do not currently have access to this content.

In the spirit of apologia, this essay illustrates how the rhetoric of Reverend Jeremiah Wright can be better understood when set in relation to the black vernacular tradition of Signification or signifyin(g), the Racial Contract, and Whiteness. A sustained contextualization of Wright’s “controversial statements” reveals a complex performative rhetoric that is highly dependent on elements of delivery, especially tone. We argue that reporters in the mainstream media as well as Barack Obama deliberately maligned the performative dimension of Wright’s rhetoric, thereby misrepresenting it in the service of generating controversy and political expediency, respectively.

Book Review| September 01 2014 Hearing the Hurt: Rhetoric, Aesthetics, & Politics of the New Negro Movement Hearing the Hurt: Rhetoric, Aesthetics, & Politics of the New Negro Movement. By Eric King Watts. Tuscaloosa: University of Alabama Press, 2012; pp. vix + 246. $39.95 cloth. Mark Lawrence McPhail Mark Lawrence McPhail University of Wisconsin-Whitewater Search for other works by this author on: This Site Google Rhetoric and Public Affairs (2014) 17 (3): 548–553. https://doi.org/10.14321/rhetpublaffa.17.3.0548 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Mark Lawrence McPhail; Hearing the Hurt: Rhetoric, Aesthetics, & Politics of the New Negro Movement. Rhetoric and Public Affairs 1 September 2014; 17 (3): 548–553. doi: https://doi.org/10.14321/rhetpublaffa.17.3.0548 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveMichigan State University PressRhetoric and Public Affairs Search Advanced Search The text of this article is only available as a PDF. © 2014 Michigan State University Board of Trustees. All rights reserved.2014 Article PDF first page preview Close Modal You do not currently have access to this content.