Despite the important work emerging from both the global and digital turns in rhetoric and composition studies, one key area has yet to be examined: the central role that the circulation of digital texts plays in the transformation and appropriation of feminist discourse. This article proposes a new methodology for analyzing the processes through which the modes of global circulation of digital representations become rhetorical and, ultimately, political actions. Feminist rhetorical studies must extend its analyses to examine how the modes of digital circulation matter in the mediation of relations among groups, communities, and nations because this digital circulation often constructs and reinforces binary oppositions and rhetorics of superiority.