Writing about historical change involves advancing causal explanations that show how events impact people and how their emotions contribute to historical outcomes such as wars and revolutions. This study uses Martin and White's (2005) Appraisal framework to examine how the language of emotion (Affect), an overlooked feature of historical discourse, is used by L2 writers of an under-examined genre, the Factorial Explanation. The study was conducted in a content-based, politicalhistory course for 63 upper-intermediate learners of English at a Japanese university. Results show that while writers made extensive use of the Affect categories Positive Inclination and Negative Satisfaction, which were often realized as adjectives and verbs, nominal formulations for building cohesion were infrequent. Writers also tended to intensify Affect resources by construing feelings as static attributes rather than destabilizing forces of change. The paper makes recommendations for teaching genre-specific language features to aid learners in construing the emotion of history.

The study investigated Japanese and Taiwanese postgraduate students’ perceptions of summary writing. Eight Japanese and eight Taiwanese students who speak English as a Foreign Language (EFL) at a university in England participated in the summary writing task in English, questionnaires, and follow-up interviews. The questionnaire and interview data were analysed in terms of (a) students’ background knowledge on summarising and (b) educational background regarding experiences of summarisation and summary writing instruction taught in classes. The results revealed that the Japanese and Taiwanese students shared similar opinions on definitions of summary writing. The students in both groups tended to be self-taught in L1 summarisation due to little L1 summary writing instruction. ESL/EFL writing teachers should note that students from different countries may have culture-specific summary writing conventions and that students from the same country may have different summarisation experiences and perceptions of textual features.