This essay proposes “jian-rhetorical seeing”—an art of invention—to foster genuine dialogs about human rights in transnational spaces and to challenge asymmetric distributions of power that so often course through these spaces. Building on and extending recent scholarship on human rights rhetoric and comparative rhetoric, the essay reinterprets an ancient Chinese concept, jian 鉴, as reflective/reflexive “rhetorical seeing” and brings it into dialog with Confucian ethics and rhetorical theories of recognition. Through an analysis of the Chinese translations and interpretations of rights in a few distilled historical moments during the Late Qing period (1840–1912), the authors demonstrate jian-rhetorical seeing and illuminate the implications of this rhetorical art for human rights debates in today’s global context.