Michal Horton

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Michal Horton's work travels primarily in Composition & Writing Studies (100% of indexed citations) · 1 indexed citations.

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  • Composition & Writing Studies — 1

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  1. Teaching the Tax Memo Genre with a Writing about Writing (WAW) Approach
    Abstract

    This essay shares a WAW reflection assignment that supports the development of writing knowledge for tax memos and for the accounting profession; it is taught in an undergraduate tax class for accounting students. Students develop an external tax memo and, following submission of that assignment, they write about their own writing in their completed memo. The emphasis on the WAW reflection is paragraphing, as this aspect of writing is highly valued in accounting and especially needed for an effective tax memo. Accounting education has long called for more writing-emphasis instruction in accounting courses, and this assignment answers that call.

    doi:10.31719/pjaw.v10i1.222
  2. Instructor Motives and Disciplinary Identity: Reconciling the Theme Course with Teaching for Transfer
    Abstract

    The theme course has not held a distinct place in scholarship, despite being a longstanding practice in the field; meanwhile, it has come under scrutiny in teaching for transfer (TFT) scholarship, which perceives the practice as conflicting with writing-centered approaches. In contrast, scholarship on theme courses suggests that a resilient motive for selecting and implementing a theme is to support writing as subject matter. A survey of current practice confirms this motive. If the theme course is not in conflict with disciplinary values, and instead a proponent of them, then the practice should be studied with more intent as a peer or supporting practice to other writing-centered approaches. This article diffuses tensions between TFT and the theme course to reposition the theme course as a method for teaching writing as subject matter.

  3. The Theme Course
    Abstract

    Theme courses are a common practice despite their limited presence in composition scholarship, which contributes to a fractured understanding of the theme course’s purpose and place in the discipline. This article offers an aggregate picture of theme (or topic) based courses based on disparate scholarly publications and affirmed by data collected through an online survey of writing instructors and program administrators. To trace the theme course within our disciplinary tradition and as a continuing practice, this article defines the theme course, distinguishing between writing as subject matter and theme content as a form of reinforcement. It furthermore historicizes the theme course’s limited life in scholarship, synthesizing key features of theme course practice, reinforced by survey responses. Ultimately, this article offers a framework for reflective practice that all theme course practitioners can use for developing, implementing, and evaluating their teaching methods. The underlying argument is that theme courses can support learning about writing, so long as theme selection and implementation work in purposeful support of the course’s learning about writing goals.

    doi:10.1215/15314200-8692737