For decades, scholars have considered the construct of voice in student writing, and although defining the term remains difficult (see Jeffery; Tardy, Current ; Yancey), the metaphor of voice is still useful and popular in discussions about student writing (see Bryant; Elbow, Voice ). In this article, we first explore the field’s use of the term “voice” as describing writers’ subject positions within the texts and contexts in which they compose. In doing so, we represent the tensions that prior work has identified within the construct of voice. While prior empirical work explored faculty members’ identification of student writers’ voice, it has not used writing by faculty members’ own students. We then report on our study, which was designed to elicit two teachers’ identification of their own students’ voice in their writing. Findings suggest that instructors’ knowledge about their students and classroom contexts contributed to their understanding of voice in their students’ papers. The piece concludes with implications for how teachers can bring critical discussions of voice into the classroom and use our study results to inform their teaching students to attend to ideas of voice in writing.

Chapter 1 be especially important to undergraduate science students, whose confidence in their own abilities as writers may have been damaged by experiences with writing in the classroom during their schooling (Choi et al., 2010;Shanahan, 2004).Several of the scientists and mathematicians in this study discuss damaging experiences with school and English teachers in particular.The anxious mathematics student, sitting in a writing class, who reads this comment by a successful applied mathematician, What's interesting is I did mathematics, I think, because I found English so difficult . . .I failed . . . on English and I was fine on mathematics.I was top in maths but I was desperate in English.I can remember the essay.The title was "Your House."Now as a mathematician . . .I've got to write about my house.What is my house?And I went to numbers straight away.It's got five windows, it's got one door-this is age 10 or 11.I knew it was a disaster when I wrote it.But I was incapable of doing anything better-Timothy, Chapter 3. may recognise a similar incident of their own, and may never have realised that the successful science or mathematics professor in their writing classroom may have experienced this kind of setback.Reading of