The intercultural study of genres provides an opportunity not only to gain an understanding of the differences in writing cultures but also to sharpen the view on what is particular for each learning context. As little previous research has undertaken systematic comparisons of genre systems at European universities, we collected data on educational genres used in writing from the Humanities departments of two universities in Eastern European countries (Romania and Ukraine) and one in a Southeastern European country (Republic of Macedonia). A questionnaire with listed genre names was distributed at the three universities to assess the importance and the perceptions of academic genres in the respective cultures. Open questions were used to validate the results and gather hypotheses on the meaning of the mentioned genres. Results show differences in the frequencies of genre use, which, however, do not allow typifying differences in the learning/writing cultures. Genres are labelled differently and emerge from different traditions but seem to resemble a similar pool of genres in each of the studied countries.

This paper presents a comparison of genre use at three Swiss universities from different language regions. The methodology is one of contrastive genre mapping in which we connect two lines of re-search usually seen as distinct approaches. The aim of the study is to find ways of comparing the writing cultures of different languages by collecting and comparing the genres used for teaching. Data about genres were gathered through questionnaires in which students and faculty members were asked to describe writing assignments and student texts. From the answers to these questionnaires, genre inventories were constructed and then re-checked with insiders in faculty discussions or inter-views. As results, lists of genres from the individual universities are presented, as are the patterns of genre families into which the genres were classified. It turned out that genre use shows strong similar-ities across the three universities. The main genre families are presented and differences between universities are discussed.

The introduction of seminars to university teaching marks the onset of a new teaching philosophy and practice in which writing is used to make students independent learners and researchers. Although the beginnings of writing pedagogy at American universities are well documented, little is known about its origins in Germany. The article tracks the history of seminar teaching back to its roots and reviews its historical development from the very beginnings to the point when seminars became the pedagogical flagship of the Humboldtian research university. Twenty seminar regulations from Prussian universities, written between 1812 and 1839, are reviewed with respect to the prescriptions they contain about writing. They reveal that a writing-to-learn pedagogy was elaborated as early as about 1820. The most important claim of the article is that an early concept of writing in the disciplines was central to the development of the Humboldtian research university.