Research reported by Daly, Miller, and their colleagues suggests that writing apprehension is related to a number of factors we do not yet fully understand. This study suggests that included among those factors should be the belief that writing ability is a gift. Giftedness, as it is referred to in the study, is roughly equivalent to the Romantic notion of original genius. Results from a survey of 247 postsecondary students enrolled in introductory writing courses at two institutions indicate that higher levels of belief in giftedness are correlated with higher levels of writing apprehension, lower self-assessments of writing ability, lower levels of confidence in achieving proficiency in certain writing activities and genres, and lower self-assessments of prior experience with writing instructors. Significant differences in levels of belief in giftedness were also found among students who differed in their perceptions of the most important purpose for writing, with students who identified “to express your own feelings about something” as the most important purpose for writing having the highest mean level of belief in giftedness. Although the validity of the notion that writing ability is a special gift is not directly addressed, the results suggest that belief in giftedness may have deleterious effects on student writers.

Years ago Loren Eiseley that life is most interesting on the margins. You never know what you'll find along the shore of the ocean or along the edge of a highway, or, to extend the notion into metaphor, on the peripheries of our minds or in transitional periods of history. Those of us in English departments who were working on modem rhetoric when it was new and not on literary history and criticism recognize the truth of the observation. The center of things tends to be, if not known, at least more familiar, constrained, and stable. But on the margin experience is more ambiguous and unpredictable, perhaps because it is there that different systems come together. Or perhaps because the people who work there are deliberately looking for change. Whatever the case, on the margin there are more possibilities, and change is easier. It is only on the margins, Eiseley says, that there is the possibility of Eiseley's metaphor for the new and unpredictable in the process of biological evolution. have dragons, he says, one must have change; that is the first principle of dragon lore. Otherwise everything becomes stale, commonplace, and observed (28). Recently at the Conference on College Composition and Communication, Janet Emig, Janice Lauer, and I presented papers on a panel entitled Reconsidering the Discipline: Three Perspectives on the History and Present Situation of Rhetoric and Composition. The title captures well the thrust of Janet Atwill's proposal for the panel; she had asked us to provide eyewitness accounts of the development of the New Rhetoric, at least the New Rhetoric as it was emerging in departments of English, and also do something a good deal more risky, i.e., to characterize the present state of the discipline.l As I worked on my paper, a precursor of this one, I found myself coming back again and again to how much of my own career has been on the margin of English studies. It's still true to some extent today, but at that time to work in the field of rhetoric was to really be on the margin. I doubt if any of us wanted to be marginalized in the profession; but those of us who didn't already know the score soon learned from their better adapted colleagues that rhetoric was a doubtful discipline that belonged, if anywhere, in speech departments, and that composition was not a proper academic discipline at all but merely a service that English departments performed, often with reluctance, for the rest of the academic community. Unless we also had a more respectable intellectual interest on which we could base our reputations, we were on the margin of the margin. To many of our colleagues we were beyond the fringe. I remember that I began looking into rhetoric in the late fifties and early sixties as the result of reading and being puzzled by C.S. Lewis's well-known comment that what separates the modern scholar most from the study of the Renaissance is his ignorance of classical rhetoric. At the same time, caught up in