Media coverage of the March 24, 2018 March for Our Lives has been voluminous, including notable coverage framing the march in relation to historical precursors. Analyzing two chronotopes, or implicit orientations to space and time, embedded in this coverage, this essay contributes to efforts to understand journalism as a space of vernacular public memory. I argue that journalists and commentators mobilize historical precedent in ways that constrain the possible outcomes of teen activism in the present.

Scholars in rhetoric have been slow to recognize children as capable of exercising rhetorical agency. This oversight inadvertently recapitulates the divestment of agency experienced by children who speak publicly about civic concerns. This essay examines the argumentative and organizational strategies of a group of children from New Mexico who worked in the early 1990s to publicize, design, and fund the Children’s Peace Statue and who repeatedly petitioned the Los Alamos County Council to accept the statue as a gift to the city of Los Alamos. Analyzing the children’s rhetorical strategies alongside responses of adult opponents, I show how opponents rejected the statue in part by resisting engaging with children as rhetorical agents. This research underscores the stakes of recognizing children’s agency as complexly meaningful.

This essay draws on genre theory and recent conceptualizations of the personal as rhetorical in order to investigate the collective stakes of writerly self-representation. Contextualizing and analyzing a widely published early twentieth-century genre, the vocational autobiography, I argue that female professionals made use of the rhetorical resources available in the genre to personalize their professional identities, counteracting a widespread discourse of exceptionalism and flouting widespread advice about the necessity of strict separation between personal and professional identities. By using personal narratives to depict their gendered and embodied presence in powerful professional spaces such as laboratories and newsrooms, female writers made use of this genre to normalize their presence and to open up access to such spaces for other women.

This study examines how changes in a key scientific genre supported anthropology’s early twentieth-century bid for scientific status. Combining spatial theories of genre with inflections from the register of economics, I develop the concept of rhetorical scarcity to characterize this genre change not as evolution but as manipulation that produces a manufactured situation of intense rhetorical constraint.

Scholars in rhetoric are increasingly attentive to the power of places and spaces to shape rhetorical performance. This article takes up the connection between ethos and location identified by several recent scholars, arguing that affiliation with and representation of material environments plays a crucial role in ethos. Ethos strategies are further shaped by genres, which are theorized as locations and environments in order to capture a fundamental dynamic between strategy and social norm. To demonstrate the strengths of understanding ethos in relation to both geographical and genre location, I analyze the ethos-maneuvers of Mary Austin, prominent early twentieth-century feminist, activist, and nature writer whose thirty-year public career merits attention from rhetorical scholars. In articulating how genre shapes Austin's efforts to develop her location in the deserts of the American West into a persuasive public ethos, I argue that ethos emerges in genre-specific formations.