This article describes a seven-week project in which writing students design digitally mediated, play-based activities (card games, board games, pop-up books, or similar) to encourage children to experience a sense of environmental enchantment: an attentive, empathetic connection with the more-than-human world. The project emerged after students in several writing courses lamented modern life’s quickening pace and a corresponding loss of pleasurable nature experience. The project gives students space to practice—and to practice encouraging in others—slower, more attentive ecological relations while strengthening media production skills aimed at non-academic audiences. In doing so, students produce projects that, in the words of virologist Jonas Salk, practice being “good ancestors” to future generations.

In 2016, the Standing Rock Sioux Tribe founded the Sacred Stone Camp to protest Dakota Access Pipeline construction. The ensuing conflict was constructed both physically and digitally --- especially through maps. These maps made strategic inclusions and exclusions, which in turn offered differing concepts of civic, national, and historical identity. In this study, I trace some of these stories, inviting technical and professional communicators to rethink how they visualize systemic issues involving human and nonhuman ecologies. Finally, I suggest the idea of a 'folded rhetoric' to describe a strategic, ethical goal for technical communication in the age of environmental crisis.