This article considers how rhetoricians might access rhetoricity, that which precedes and pervades meaning. The three pieces of minimalist music I examine—Steve Reich’s It’s Gonna Rain, Alvin Lucier’s I Am Sitting in a Room, and Philip Glass’s Einstein on the Beach—experiment with speech, peeling back the meaning-filled dimension of language in order to expose how affect and material move people. This peeling back of meaning, my analysis suggests, is achieved through refrain and rhythm, two forceful sonic rhetorical phenomena that rhetoricians might both study and deploy.

This article uses a lengthy critique of Kenneth Burke's Attitudes Toward History found in the Kenneth Burke Papers as well as Kenneth Burke's published writing to argue for a more expansive view of his comic theory, one that sees Burke's comic theory as a basis for ethical rhetorical engagement. Rather than defining the comic as a Burkean rhetorical device that is relevant to only a select number of texts and situations, this account of Burke's comic theory suggests it has broad applicability. Engaging Burke's comic theory as an ethic allows for active, generous, exigent, and self-reflective scholarship.