hile teacher neutrality is a contested concept within the field of rhetoric and composition, the public often expects a teacher's neutral position.

This article discusses the successes and vulnerabilities associated with combining the pedagogical methods of Theater, Composition, and Community Literacy in the Composition classroom. It examines how the ideas of Augusto Boal’s Theatre of the Oppressed and Paulo Freire’s Pedagogy of the Oppressed can be combined to support an innovative approach to Composition teaching, one that additionally employs engaged scholarship and service learning. The essay describes how methods and cycles of story gathering, playwriting, and rhetorical analysis have been used with various community partners, including an adult day care for dementia patients, an HIV/AIDs clinic, and Public Health outreach programs that address Health Disparities. The article explains how the ready audience of community-written plays and the inherent characteristics of theatrical production enable finite and clearly definable communication moments and products—especially in the autobiography-fantasy fused genre I have termed magical memoir—while engaging and empowering the voices of students, teachers, community partners, and audience members alike. All human beings are actors (they act!) and spectators (they observe!) They are spect-actors. … Theatre is a form of knowledge; it should and can also be a means of transforming society. Theatre can help us build our future, instead of just waiting for it. –Augusto Boal, Games for Actors and Non-Actors

This essay argues that while fostering individual and collaborative literacy can indeed promote self-awareness, confidence, and political awareness, the threat of emotional and material retribution is ever-present in jail, making the development of infrastructure challenging. Such reality compels engaged teacher-researchers to develop tactical methods for promoting literacy with limited social and material support from institutions that are primarily invested in compliant behavior. Rather than relying upon traditional models for building engaged university-community infrastructure in such contexts, I suggest a participatory curatorial model and explore the notion of curating a program within an ever-shifting set of artists, regulations, allegiances, and expectations.

The American Essay and the Future of Writing Studies, Nicole B. Wallack offers a perceptive and stimulating account of what essays are, how they work conceptually and aesthetically, and why it is important for American university writing programs to adopt an essay-centered curriculum. In an age of the Common Core State Standards, the essay has been marginalized by curriculum reform that reduces literacy to "skills acquisition" and assumes student writers are simply "protean workers who need to be readied to fulfill others' goals for their thinking and writing: intellectual 'stem-cells' for the world beyond school" that can be replicated indefinitely for someone else's use (3)(4). The director of the Undergraduate Writing Program at Columbia University, Wallack argues that the essay-and a curriculum centered on having students read and write essays-promotes the values of a liberal arts education, while also establishing common ground for the fields of composition studies, literary studies, and creative writing. Interdisciplinary in its approach, this book will appeal to writing program administrators, scholars of writing and literature, creative writers and essayists, and teachers of writing across the disciplinary spectrum. Crafting Presence includes chapters on the history of the essay as a genre distinct from other forms of nonfiction writing, close readings of specific essays from The Best American Essays series, and short pedagogical reflections, informed by Wallack's twenty-plus years of teaching experience. Although the essay may have been discarded from much of today's writing curricula for its association with the tradition of belles-lettres on the one hand and well-worn "school writing" on the other, Wallack maintains that the essay not only fulfills the goals of national curricular standards but also cultivates the intellectual, creative, and ethical thinking students need in order to become "reflective citizens, " to borrow Andrew Delbanco's term, who serve their community with their education. Some readers may chafe at Wallack's appeals to the values of good, old-fashioned liberal humanism, but her book presents a timely and inspiring vision of what the writing classroom-and, by extension, the universitycould become.

for a video conference to discuss the second edition of Illegal Alphabets. Below are excerpts from their exchange, edited for clarity and length. Their conversation focused on the book's origins and the context of the scholarly commentaries that appear in the second edition. Kalmar and Leonard also discuss the book's contributions to literacy studies, teaching the book, and its lasting relevance to notions of migration, borders, discrimination, identity, language, and legality. Leonard's review of the second edition of the book follows her interview with Kalmar and frames its relevance to community literacy researchers, practitioners

Illegal Alphabets and Adult Biliteracy: Latino Migrants Crossing the Linguistic Border, Toms Mario Kalmar has composed a parable about literacy. A simple story used to demonstrate a lesson with "serious political implications" (xv), Kalmar's parable tells the tale of a group of "illegal" migrants in Southern Illinois in the eighties, working together to create an "illegal" alphabet to get by in their labor camp. After a series of violent events between the migrant and anglo populations in town, the migrants leverage their history of biliteracy-primarily among indigenous languages and Spanishto write English como de veras se oye, the way it really sounds. To do this, they break linguistic laws, creating bilingual glossaries that are governed by hybrid English/ Spanish sounds. The question of legality gives the parable its deep resonance: In order for their labor to have value, migrants must cross borders and challenge the laws that police national/linguistic geographies. In the book's terms of literacy learning, "the law itself poses a major part of the problem to be solved" (77). In other words, Illegal Alphabets and Adult Biliteracy is a story about migrants working at the borders of literacy in order to survive. That this story is true, and stems from three years of ethnographic fieldwork, makes it a book with lasting relevance for any literacy teacher or researcher working with communities whose creative, strategic, and serious writing work is marginalized or deemed somehow illegal.

tatiana Jefferson's face shows on the large screen. Carmen Kynard looks straight at the audience packed into the Irvine Auditorium at University of Pennsylvania and asks us to consider how our teaching, our research, and our activism respond to the life and murder of Jefferson, a 28-year old Black woman fatally shot by police in her own home a week earlier. Kynard posed this question during her keynote address at the third biennial Conference on Community Writing as part of her overall challenge to community writing and literacy scholars, teachers, and activists not to confuse the job with "the work. " In her essay "' All I Need Is One Mic': A Black Feminist Community Meditation on the Work, the Job, and the Hustle (& Why So Many of Yall Confuse This Stuff), " which expands on her keynote address, Kynard argues that a Black feminist imaginative is essential for dismantling white supremacy in our classrooms. Since Kynard's keynote in October 2019, many, many more Black people have been murdered by police, in the streets and in their homes. The antiracism protests happening daily in cities across the country as we write this Introduction in Summer 2020 only heighten the urgency of Kynard's question. How, in everything we do, are we addressing white supremacy and the unrelenting violence against Black and Brown lives? Through a series of meditations and counterstories, Kynard navigates her own and imagined classrooms to investigate why she has "been sent" to do the work she does. Her advisor, Suzanne Carothers, urged Kynard, "do not confuse the WORK with the JOB. " Ultimately, Kynard finds a violence in universities that we must counter through radical and disruptive antiracist work, which we must do often in spite of job requirements or the professionalization obligations that Kynard calls "the hustle. " In fact, "the work, " the real work of justice, "the healing and regenerative practices" we're called to, may in fact run counter to our jobs insofar as these jobs are tied to the violence of institutional, linguistic, and pedagogical racism. How do we center Atatiana Jefferson in our work? Celebrated, award-winning artist Michelle Angela Ortiz has spent the last twenty years as a public artist, community arts educator, activist, and filmmaker, using art as a tool for social change and cultural expression. In "Amplifying Community Voices through Public Art, " her CCW keynote address originally delivered at the Free Library of Philadelphia, Ortiz shows us and explains several of her large-scale mural projects from around the world. In places as varied as Philadelphia, PA and Buenos Aires, Argentina, Ortiz has worked alongside populations such as patients living with mental illness and farmer's market vendors. Ortiz explains how through word and image, her murals highlight the culture and memories of indigenous peoples in the United States and immigrant families separated from one another. In this essay,

As a graduate student in the humanities, I am often fearful that my labor is performed for the sake of performing labor. Exacerbated by academia’s in- creasingly precarious landscape, this fear requires a hopeful antidote: a new pedagogy of and for the public. Constructed through empathic conversa- tions between universities and communities, this new approach to pub- lic scholarship and teaching relies on the aims and practices of community literacy (e.g. sustainable models of multimodal learning, social justice, and community listening) in order to refocus the humanist’s work – particularly the disjointed labors undertaken by graduate students – around the cultiva- tion of publics and counterpublics. In turn, a pedagogy of and for the public also implements the digital frameworks and organizational tools of public humanities projects to enliven community literacy praxis. Graduate student conferences are one site where we could enact this jointly constructed ap- proach. By rearticulating these conferences’ capacity for professionalization, by expanding their audience, and by reimagining their form beyond the uni- versity context, I argue that we can establish sustainable programs aimed at expanding community literacies.

When community literacy partners work to gether with academic organizers, both groups recognize the uncertainties of risk, the importance of trust, and the necessity of clear communication in accomplishing their goals.Likewise, professors who use service learning must help their students negotiate experiences that are often unpredictable or uncomfortable.In both scenarios, conversations that spark reflection, untangle problems, and guide action are vital.These objectives, and their reliance on open, guided conversation, are central to a new offering by mother-daughter team Nel Noddings and Laurie Brooks: Teaching Controversial Issues: The Case for Critical Thinking and Moral Commitment in the Classroom.In this book, Noddings, an emerita Professor of Education at Stanford and prominent contributor to feminist care theory, and Brooks, a member of the board of Provident Financial Services and advisory boards for North Carolina State and Rutgers universities, point out that teachers today must help students cultivate critical awareness while navigating a minefield of highly controversial issues such as authority and obedience, religion, race, gender, and socioeconomic class.While Noddings and Brooks intend to target K-12 teachers, administrators, and parents, many community literacy scholars and practitioners will appreciate the ideas the authors suggest that enable their readers to more thoughtfully create room for co-inquiry, conversation, and examining resources across different disciplines and perspectives.Noddings and Brooks' core purpose with this text lies in their dedication to helping students "prepare for active life in a participatory democracy" (2).To achieve this, they insist that adults not shy away from joining forces with students to examine complex and challenging questions.The authors advocate for critical thinking bolstered and emboldened by moral commitment, which, in their words, is "to bring people together-to help them understand each other in the fullness of their humanity" (159).Noddings and Brooks approach this task from an interdisciplinary lens, one that enables them to reach across and through traditional divisions among disciplines, genres, and media.This text provides specific suggestions for educators

s someone who regularly encourages students in my technical writing and first-year composition courses to participate in public writing projects, I have often turned to scholarship based in service learning-often not writing-course specific-to look for pedagogical direction and even evidence that these approaches to teaching are meaningful for students.Fortunately, as more and more rhetoric and composition specialists teach public-oriented writing courses, the emergence of related discipline-specific scholarship, conference presentations, and workshops provides necessary assistance for compositionists whose teaching and work conflate the borders between the

Drawing on interviews with writing teachers, this article highlights some of the affective responses that may arise for students, community partners, and teachers when we situate our pedagogies in public sites beyond the classroom. I analyze a teacher-narrated moment of student distress to demonstrate how theories of transformative learning might help us productively theorize affect in service-learning and community-based education. To conclude, I offer a reciprocal model of care that employs tenets of feminist pedagogy, such as transparency and decentering of authority, and that acknowledges the valid emotions students, teachers, and community members may experience. I call for community literacy practitioners to see the power of all participants to both give and receive care in transformative education.

In fields such as sociolinguistics and composition and rhetoric, communication is increasingly understood as translingual, that is, as negotiated socially across languages. Those of us engaged in community literacy can and should recognize the deeply multilingual nature of the communities in which we work, and we should understand, embrace, and forward the translingual approach. Here I reflect on my first conscious attempt to teach translingually in a college course with a community-based learning component. I present an overview of the translingual orientation, reflect on the decisions I made as I prepared a college community-based learning course with translingual intentions but not overt translingual objectives, and examine some the students’ reflections that reveal their language attitudes at the end of the course. I argue that small, intentional decisions made towards a broader translingual orientation towards language and literacy make an immediate difference in how students think about language, and that those engaged in community literacy partnerships are in need of a theory of communication that the translingual approach can provide.

Traces of A Stream: Literacy And Social Change Among African American Women (2000), scholars interested in literacy, identity, and social change have continued to pursue ways to include the voices of women who have previously been underrepresented within scholarly work.Indeed, these recovery projects-often considered part of a revisionist enterprise-represent important examples for those interested in the literary and rhetorical practices of women who have been overlooked based on gendered, ethnic, and socioeconomic identities.Illustrating this, scholars have developed a range of archival, rhetorical, and interview projects that uncover women as historical subjects who represent the myriad ways women develop and use rhetorical skills and literacies.For instance, in Refiguring Rhetorical Education: Women Teaching African American, Native American, and Chicano/a Students, 1865-1911, Jessica Enoch describes female teachers who contested the normative educational structures that oppressed marginalized groups and, rather, developed pedagogical strategies that encouraged civic participation.In another recovery project, Beyond the Archives, Gesa Kirsch describes the role of women who participated in a male-dominated sphere as physicians and civic advocates in the 19th century.In the same book, Wendy Sharer illustrates a new understanding of uncovering voices when she finds scrapbook examples of even her own grandmother's engagement with political literacies.These examples represent just some of the important work that has emerged in order to uncover and reframe the literate and rhetorical legacies of women from multiple subject positions.Erica Abrams Locklear's book Negotiating a Perilous Empowerment: Appalachian Women's Literacies adds a unique contribution to these discussions by focusing on the literacies of women from Appalachia-a region, she argues, too-often characterized by a deficit framework.That is, Locklear challenges the gendered, regional, and classed stereotypes that represent women in Appalachia as "illiterate, " "hillbillies, " "Other, " or

Service learning has become a feature in higher education in courses ranging from computer science and graphic design to English and the humanities. These courses are designed to provide "internship" experience and enable students to use skills they learned in the classroom in "real world settings. " These "real world settings, " however, exist in some rather well-defined economic, social, and political system. Tania Mitchell suggests that traditional approaches to service learning either assume that such projects are already inherently related to social justice or are simply concerned with other issues such as the teaching of some rather acontextual "workplace skills. " There exists, however, a growing recognition that service learning could enable students to recognize and more deeply understand the social and economic structures they are asked to work within. The aims of this "critical service-learning" approach include the redistribution of power in the service-learning relationship, the development of authentic relationships between the university and community, and an unapologetic movement toward the goal of social change. At my university there is an interest in providing service learning in more traditional workplace settings, but there are also faculty members who are attempting to use these projects to help students understand the contexts in which they live and work. This keywords essay details some recent scholarship in literacy and critical service learning. It is by no means a complete picture of the efforts in this area but, rather, presents some interesting service-learning projects that might be duplicated at other institutions. All the projects provide opportunities for students to gain an understanding of the economic, social, political, and, in one case, environmental contexts in which they live. Writing plays a primary role in facilitating such understanding. Lisa Rabin's article "The Culmore Bilingual ESL and Popular Education Project: Coming to Consciousness on Labor, Literacy, and Community, " details a servicelearning project featured in a Spanish class at George Mason University. The project offered an alternative to more "market-based" service learning. In 2009, Rabin had been contacted by labor organizers from the Tenants and Workers United (TWU) in Culmore, Virginia to possibly have some of her bilingual students offer an ESL course for day laborers who were also new immigrants

This article highlights Education/Connection/Action (ECA), a locally developed community pedagogy deployed at a youth activism summer camp that served as a site for a community/academic teaching and research collaboration. Youth considered connections between a set of issues, including a local ban on Ethnic Studies, the School-to-Prison Pipeline, and Youth Sexuality, Health, and Rights. They drew from lived and learned literacies to inform participatory media projects that critically and creatively address restrictions on access to local knowledges and information with particular relevance to youth sexuality, health, and rights (broadly defined). In highlighting youth voices, desires, and needs across distinct youth communities, their collaborative productions demonstrate coalitional potential and a collective call for change.

In Slam School: Learning Through Conflict in the Hip-Hop and Spoken Word Classroom, Bronwen E. Low argues for the significance of critical hip-hop pedagogies, particularly when engaging with racial and social conflicts in educational settings. Low collaborated with a teacher at an urban arts magnet high school in the northeastern United States through a performance poetry course that was taught using a hiphop and spoken word curriculum. Overall, Low's book is useful for community literacy scholars as an application and assessment of a popular practice and growing pedagogy in schools and community organizations.

This case study investigates Carolyn, an effective volunteer ESL and literacy instructor of adult African refugees, in order to understand both what it means to be a qualified instructor, and also how community-based volunteer instructors may become more qualified. The study’s findings suggest that Carolyn’s qualifications are a combination of personal dispositions, such as cultural sensitivity, and professional behaviors, including self-education, seeking mentoring and outside expertise, and purposeful reflection on her teaching. Several implications for supporting community-based volunteer literacy and ESL instructors emerge from these findings.

Considering the situated complexities and competing interest of exploitation and hope inherent in community literacy work, this article examines the ways that the Community Arts Program (CAP) at California State Prison-Sacramento complicates and also reifies archetypal grand literacy narratives and considers the place of such narratives within a broader argument for literacy as acts of creative resistance scaffolded by small, organic, tactical moves.

This article examines the New Deal’s Federal Writers’ Project’s challenge and legacy to scholars seeking to create an FWP-inspired project today. It explores how scholars in various disciplines engaged in the “public turn,” which has contributed to university-community research and teaching projects, can gain perspective and insight from learning about the FWP’s goals and accomplishments. The article focuses on the FWP’s pluralistic vision of national identity, which led national FWP officials to examine American diversity in encyclopedic guidebooks and through oral history, ethnic, and folklore studies. By exploring why the work of the FWP was ignored for a long time and how its vision and work gradually reemerged, I seek not only to provide a history of the FWPs reputation but also to shed light on the opportunities and responsibilities the FWP offers to current efforts to create new FWP-like projects for a new time.

Preface Personal Prologue Chapter 1: Introduction: Examining Crisis, Laurie MacGillivray and Devon Brenner Commentator Introductions, Tracy Sweeney (Early Career Teacher), Jane Fung (Veteran Teacher) and Elizabeth Moje (Teacher Educator) Part I: Reading and Writing in Times of Crisis Chapter 2: Making Contact in Times of Crisis: Literacy Practices in a Post-Katrina World, April Whatley Bedford and Devon Brenner Chapter 3: Hallelujah! Bible-based Literacy Practices of Children Living in a Homeless Shelter, Laurie MacGillivray Chapter 4: Reactions to Divorce: Communication and Child Writing Practices, Gisele Ragusa Chapter 5: When daddy goes to prison: Examining crisis through fanfiction and poetry, Mary K. Thompson Chapter 6: Reading and Writing Teenage Motherhood: Changing Literacy Practices and Developing Identities, Kara L. Lycke Chapter 7: Disability Identification: Shifts in Home Literacy Practices, Gisele Ragusa Part II: Crises Arising from Literate Practices Chapter 8: Finding Husbands, Finding Wives: How Being Literate Creates Crisis, Loukia K. Sarroub Chapter 9: A State Take-Over: The Language of a School District Crisis, Rebecca Rogers and Kathryn Pole Chapter 10: Brewing a Crisis: Language, Educational Reform, and the Defense of a Nation, Susan Florio-Ruane Part III: Reflecting on Crises and Literacy Chapter 11 Commentators' Insights, Tracy Sweeney (Early Career Teacher), Jane Fung (Veteran Teacher) and Elizabeth Moje (Teacher Educator) List of Contributors

Communities—and their literacies—exist within larger contexts, and writing has the potential to empower or oppress, to maintain the status quo, or to transform the collective community. School is one such context and, in recent years, the nature of writing has changed; digital writing skills needed to participate in contemporary society do not always resemble skills of traditional, school-based literacy. This article examines the teaching of digital writing as an issue of social justice by sharing the perspectives of several novice teachers who were challenged to alter their views of what writing is and how it should be taught.

This article suggests that the methodology of community-based action research provides concrete strategies for fostering effective community problem solving. To argue for a community research pedagogy, the author draws upon past and present scholarship in action research and participatory action research, experiences teaching an undergraduate writing course revolving around action research, and conversations with community members who have benefitted from student research.

Abstract  Hidalgo County, Texas, is one of the poorest in the country. The population in the Lower Rio Grande Valley is 85% Mexican-American. Underprepared for college and juggling full time jobs, their own children, and sometimes dysfunctional extended families, students often do not expect to succeed. I recently taught a Creative Writing course which applied writing projects to social problems. This paper looks at the work of the course, the pedagogy applied, student and teacher reflections, and lessons learned through the lens of class, oppression, and power and argues that these elements ought always be a component of service learning education.

This paper, presented at the CCCC 2008 Senior Citizens Writing session, draws upon my experiences as a senior workshop member and past teacher. Addressing workshop leaders, it emphasizes the need for the many-faceted seniors’ voices to be “translated” and tested within a workshop’s microcosm before entering the outside world’s macrocosm.

This article explores similarities in literacy learning across various life-span stages and considers what actions must be taken to improve literacy attainment and achievement, whether the delivery site is prekindergarten, elementary, secondary, adult, family, workplace, volunteer, or community literacy. The emphasis here is on what it takes to successfully teach individuals to read and write well separate from any adjustments that must be made for context or learner characteristics. Research is examined for five essential variables in literacy learning, including (1) amount of teaching; (2) content of instruction; (3) quality of instruction; (4) student motivation; and (5) alignment and support.

To become literate when we move from one part of the country to another with significant cultural differences, our first task is to learn the new culture so we can more effectively work with our colleagues and our students. When I moved from Bay City, MI, to Morehead, KY, there were many customs I needed to learn. Fortunately, what I learned helped me to cherish both my new colleagues and students.

This article revisits the debate between cultural and critical literacy through ethnography challenging popular academic views in education and literacy. Set in a preschool classroom at the inception of the “No Child Left Behind” initiative, this essay focuses on teaching assistant Marylou Anderson. Her experiences growing up in Appalachia inform a teaching philosophy that differs significantly from her colleagues. Her story invites us to reconsider how “the culture of power” functions as a formidable gatekeeper.

Th is article outlines one potential model for a graduate–level course in community literacy studies. Ellen Cushman and Jeffrey Grabill taught this course for the first time at Michigan State University in the spring of 2007. In this article our colleagues with varying disciplinary backgrounds reflect on the course, its readings, and their theoretical and practical understanding surrounding many of the central questions of this new discipline: what is a community? What is literacy? What is community literacy? And what does it mean to practice “community literacy”—to write, to speak, and so on? After a wide discussion of course experience from several student colleagues in the course, Cushman and Grabill reflect on their course objectives and point toward future incarnations of the course.