By Allison Gross and Jessica Lee. In the Fall of 2022, we set out with a handful of our colleagues in the English department to create an anti-racist writing curriculum. Of particular importance to us was crafting this curriculum for our specific context, not just as a two-year college, but also at Portland Community College (PCC) in particular, the largest higher education institution in Oregon, situated in the “whitest big city in America” (De Leon). Even though Portland itself is predominantly white, our students at PCC are far more diverse, with PCC itself situated on the traditional village site of the Multnomah, Kathlamet, and Clackamas bands of the Chinook, Tualatin Kalapuya, Molalla, and many other tribes who made their homes along the Columbia River. Specifically

By Taylor J. Wyatt. Any discussion about multimodal composition inevitably invites the question: “What counts as writing?” This question of what “counts” often reveals an underlying assumption that multimodality lacks adequate academic rigor. “What counts as writing” leads to further considerations, such as identifying pedagogical strategies to help students expand their knowledge in new writing contexts and genres. In their 2016 edited collection, Chris M. Anson and Jessie L. Moore define transfer “as the ability to repurpose or transform prior knowledge for a new context” (370). As they offer their definition of transfer, Anson and Moore note the complexity of the term and write, “for many scholars transfer functions as an umbrella term, encompassing an array of theories about the phenomenon” (370). Kara Poe Alexander, Matthew Davis, Lilian W. Mina, and Ryan P. Shepherd’s edited collection Multimodal Composing and Writing Transfer considers writing transfer and what counts as writing within a multimodal context.

By Meghan Hancock. I came to Threshold Conscripts: Rhetoric and Composition Teaching Assistantships—as I think many of us would—with vivid memories of my first semester teaching first-year writing. I felt some panic and anxiety, of course, at the very idea of a teaching role, but I was also struggling to reconcile the conflicting roles I carried. As Laura R. Micciche puts it in the Foreword to this collection, I was “not-quite teacher and not-quite student,” but was, nevertheless, asked to take on the important role of introducing students to college-level writing (xii). The anxieties and learning moments brought about by these intersecting identities make graduate student instructors of composition a rich and vital population to study, and yet as this collection consistently argues, the field of Writing Studies needs more scholarship examining their experiences. It is this gap that Threshold Conscripts, edited by William Macauley, Jr., Leslie R. Anglesey, Brady Edwards, Kathryn M. Lambrecht, and Phillip K. Lovas, addresses in its collective works that closely analyze the lived experiences of graduate RCTAs (rhetoric and composition teaching assistants) as they attempt to balance their multiple roles as teachers and students.

Paige V. Banaji and Kathryn Comer Abstract The habits of mind (HOM) in the Framework for Success in Postsecondary Writing offer a useful bridge between high school and college writing instruction. As the field evaluates the benefits and drawbacks of the HOM, we would be well served to listen to students’ perspectives. This article presents […]

Shane A. Wood, Nikolas Gardiakos, Matthew Bryan, Natalie Madruga, Pamela Baker, Joel Schneier, Joel Bergholtz, Emily Proulx, Vee Kennedy, Ricky Finch, Mya Poe, Norbert Elliot, and Sherry Rankins-Robertson Abstract The University of Central Florida’s First-Year Composition Program has sustained its commitment to values-based sustainable development despite a series of significant changes from 2020–2025. In this […]

Yan Li Abstract Over the past two decades, writing transfer theories have significantly influenced curriculum development in first-year writing (FYW) programs across the United States (US). This study examines the theories shaping multilingual curriculum development in FYW by presenting findings from a national survey informed by a transfer-encouraging methodology. Despite the critical importance of this […]

Walter Lucken IV An adequate summation of Professor Ian Barnard’s career in and out of rhetoric and composition studies would require much more than the space allotted. Suffice it to say that from the early 1990s to the present, Barnard, Professor of Rhetoric and Composition in the English Department at Chapman University, has steadfastly explored […]

Sandie Friedman Reznizki, Michal, and David T. Coad, editors. Dynamic Activities for First-Year Composition: 96 Ways to Immerse, Inspire, and Captivate Students. National Council of Teachers of English, 2023. A May 2022 New York Times article featured a graphic with the instantly recognizable design of the Harvard crest, but in place of the Latin “Veritas” […]

Manny Piña and Susan Wolff-Murphy Abstract This article examines the complexity with teaching for transfer (TFT) as curricular content through a qualitative study of how TFT was experienced by first-year writing (FYW) students at a regional, Hispanic-Serving public institution. Our analysis of reflective student writing supports previous studies that show that the curriculum supports the […]

Even though learning outcomes have become an expected part of writing programs, how they are defined and subsequently used is often unclear. This study did a textual analysis of the terms used for outcomes on 42 universities’ first-year writing webpages. The study found that university writing programs use different terms for outcomes and define those terms differently across programs. The lack of clear definitions for outcomes across programs makes these documents difficult for writing programs, faculty, and students to use. Consequently, the author argues that composition studies needs to study definitions of outcomes terminology and then clearly define those terms in the materials programs, teachers, and students use. The author then presents suggestions for how programs and teachers might do this definitional work to make outcomes more useable for effective course design.

In this article, I argue for centralizing revision in FYC classrooms, thereby establishing it as the vital component of composition that it is. I show that engagement with revision in FYC courses tends to be minimal, relegated to the end of a project, or completely omitted. These low standards for revision pedagogy can result in students not having the know-how or confidence to revise their work as they advance in their careers. Thus, one aim of mine is to invigorate the conversation surrounding revision pedagogy and, in doing so, invite composition instructors to consider altering their own approaches to guiding student revision. To this end, I offer FYC instructors several pedagogical strategies which are easy to implement and which may help students establish and build effective revision practices they can carry with them throughout their college careers and beyond.

This article presents students’ experiences with hybrid grading contracts through a thematic analysis of data. We specifically focused on students’ perceptions of the grading contract’s role in improving their writing skills, issues of fairness, labor, and stress. We argue that the stressful conditions of COVID-19 illuminate the benefits and drawbacks of contract grading, especially regarding fairness and equity, when used at institutions that predominantly serve working-class students. This article can serve as an example of how graduate teaching assistants can use hybrid grading contracts in writing classrooms. We conclude with recommendations for instructors on how to adapt grading contracts to meet the needs of the students and suggest a future research agenda to examine grading contracts and stress levels.

Student writers labeled “underprepared” by colleges often have trouble imagining themselves as scholars. Challenges these students routinely encounter include difficulty forming original insights and translating ideas to the page. Although the usage of the term “underprepared” varies across institutional contexts, the designation commonly requires that students enroll in a developmental writing course, making it difficult for these students to feel confident in their work and academic abilities. In this article, I position mindfulness as a strategy instructors can use to nurture students’ emerging scholarly identities. After describing common teaching challenges and the role mindfulness might play in overcoming them, I share a sample course schedule and series of assignments for a first-year writing course that incorporates mindfulness practices, such as slow reading and deep listening. These exercises and assignments can help students develop unique voices and connections to course material, qualities that tend to translate to higher levels of student confidence in both the writing classroom and in the college environment more generally.

There is valuable scholarship on the importance of teaching narratives in the FYC classroom, but none does so through the frame of vulnerability. This paper explores, through an IRB approved case study, how composition teachers can best guide students to write powerful and well-crafted personal narratives to ignite students’ own voices, histories, and stories to be born, made into art, to enact positive personal and social change. This work will examine how being vulnerable and understanding one’s own story as an instructor has the ability to produce powerful community in the college classroom (Mathieu; Garcia; Parks). Ecocomposition invites this writing experience to be seen through the lens of mindfulness, healing, and the belief that stories hold power to enact cultural change, not only within the writer, but also the classroom and beyond.

This program profile focuses on the collective work and beginning stages of moving a very large writing program from default orientations of predominantly white institutions (PWI) to practices responsive to Hispanic-serving institution (HSI) opportunities over a five-year period. Throughout this profile, I narrate how faculty of all ranks within the first-year composition program at the University of Central Florida worked together to turn the belief that all students’ language and literacy practices are worth sustaining and expanding into an action-oriented sociocultural literacy model. For other programs interested in or needing to undergo similar redressing, this profile offers a story of change that culminates in outcomes development, and that includes examples of our community’s collective actions to localize curricula towards students’ languages, literacies, and rhetorics. Specific emphasis of each phase of work (from 2017-2022) might be useful as programs embark on large-scale change; or the spirit of each movement might be more useful.

Recent translingual, CLA, and sociocognitive scholarship call for increased attention to language and show enduring interest in language in composition. This article suggests these calls persist but don’t succeed because of composition’s limiting habitus: the norms and inertia propelled by U.S. linguistic miseducation and the field’s uneven attention to language. To date, composition has emphasized language ideologies or language itself, but not both together. To change habitus, we need consciousness-raising as well as alternative approaches in encounters with language. This article historicizes attention to language in composition in three traditions, then categorizes the main challenges to attention to language in the field, then offers two pedagogical interventions: (1) developing course language acknowledgements, and (2) analyzing diverse linguistic patterns. The article closes with conceptual shifts important for connecting social and linguistic knowledge.

This article explores the sources of student dispositions toward rhetorical approaches to first-year writing instruction through a case study of Lora, a particularly motivated writing student. The study traces Lora’s performance and development of her identity through the imparting of personally meaningful objectives like “standing out” and “standing up for the right things” to particular activities across her primary, secondary, and university education. Lora’s attributing of these personal objectives to certain activities but not others is the construction and maintenance of her identity and correlates with her exhibition of generative dispositions. I argue that, in Lora’s case, dispositions are attitudinal and affective expressions of how and to what extent Lora has attributed personal meaning to a social activity in the process of identity formation. I then show how Lora identified my first-year composition (FYC) course with her personally meaningful goal of standing out as a student and, consequently, exhibited generative dispositions and productive learning practices to the challenges of developing a more rhetorical approach to writing. I conclude by suggesting that continued research on writing-related transfer must situate inquiry within the broader process of each individual’s repurposing of meaningful objectives across experience.

In a recent survey completed by 84 graduates of rhetoric and composition PhD programs at various phases of their career, a majority of respondents reported that their graduate programs provided excellent guidance when it came to teaching but insufficient guidance toward scholarly publication. An analysis of survey responses suggests that scholarly publication is troublesome because it marks the transition from student to scholar and because prior knowledge of “school genres” can impede learning of scholarly genres. Furthermore, the liminality novice scholars experience in transitioning from student to scholar evokes anxiety and feelings of impostor syndrome for many. This suggests that mentorship should help emerging scholars develop strategies for recontextualizing genre knowledge in response to diverse rhetorical situations in order to navigate the emotional strain that accompanies the recontextualization process in high-stakes situations.

Much of the research in composition about Hispanic-serving institutions focuses on the tripartite of writing program administrators, faculty, and students and the complexities of multilingual learner pedagogies. This article draws on conversational interview methods and data to analyze the servingness of three Floridian HSIs through critical race theory’s interest convergence thesis. The interest convergence thesis advances that institutional efforts toward racial equality will persist only so far as those efforts also preserve the interests of racial dominance in social institutions. Guided by an institutional critique and racial methodological approach, this interest convergence analysis examines the impact of culturally White institutional ideologies on general education writing curriculum choices, professional development, and the ethnic-racial cultural composition of institutional governance. Interviews with WPAs from the three institutions detail how the institutional epistemologies of literacy affect their decisions and opportunities for Latinx-centric programmatic servingness at their HSIs.

Researchers have examined many strategies for instructor preparation, but the role of common textbooks has received little attention, despite Yancey listing them as an essential feature to consider in developing instructor preparation. This case study examines the impact of the custom common textbook on graduate and professional instructors in a First Year Writing program at a large Midwestern research university. Data were collected through a survey, focus groups, and interviews with instructors, as well as interviews with textbook authors. I found that although instructors varied widely in their use of the text, it did contribute to instructor preparation by influencing choices of content and awareness of program culture and values, especially for experienced instructors. Although additional instructional preparation measures are necessary for new instructors, common textbooks should not be ignored in research and assessment of instructor preparation strategies.

This study includes interviews with 70 undergraduate students enrolled in online or hybrid first-year composition (FYC) classes at one of four universities in the United States and analyzes students’ perceptions of digital peer review. Arguing that the Community of Inquiry (CoI) Framework is a logical heuristic for examining writing studies research, this study finds that synchronicity might be more significant than modality with respect to the ways that peer review is able to achieve social, teaching, and cognitive presence. Overall, this study suggests that synchronicity is a common thread woven throughout each of the CoI presences as a potential way of alleviating negative evaluations of and achieving a learning community through peer review. Data further suggest that hybrid and online students conceptualize relationships as creating a sense of community that is work-based rather than friendship-based, that students might not be aware of or able to foresee ways that peer review applies to other writing contexts or classes, and that instructors could better prepare students for peer review in classrooms and beyond.

This study explores the relationship between the dispositions toward research that writing teachers convey through their assignments and those that their students express in their reflective writing. We applied the term problem-exploring to a set of dispositions described by the ACRL Framework and coded each clause of instructor assignment text and student reflective writing from six FYW sections, half of which were working with a librarian to incorporate core concepts from the Framework. We found a strong correlation between the proportion of instructors’ problem-exploring assignment language and students’ expressions of problem-exploring at end of term. The rates of problem-exploring were significantly higher for instructors and students in sections working with the Framework. Our results offer a new lens through which to view research-assignment design, provide evidence of how assignments can foster problem-exploring, and support the value of pedagogical collaboration with librarians.

Discourse-based interviews allow researchers to gather data about a writer’s understanding of what informs a task. This method was essential for a research team seeking to understand the impact of programmatic learning objectives on student writing development. Three decisions in the approach to this research project sought to center the student participants and make them quasi-researchers: the alignment of a clearly articulated theoretical framework with the methodology, the collection of supporting data from other methods, and modifications to the interview protocol. The study found that a writing program can facilitate the transfer of writing skills by implementing consistent, explicit, and intentional transfer-oriented learning objectives in both FYC and advanced composition courses.

Students’ completion of a self-efficacy appraisal inventory focusing on the eight habits of mind outlined in the CWPA’s Framework for Success in Postsecondary Writing can help individual students reflect and improve upon the specific and individualized learning approaches that will assist them as they transition into a postsecondary writing classroom. A recent IRB-approved-as-exempt study directed first-year writing students to rate their confidence in how well they were able to engage in specific writing-related actions. Respondents included 162 students from multiple sections of a first-year writing course taught in two semesters: 75 from 15 different Fall 2019 sections of a first-year writing course and 87 participants from 6 different Spring 2020 sections of the same course. The study found participating students perceived themselves strongest at executing writing-based courses of action related to Responsibility, Openness, and Persistence and weakest at executing courses of action related to Flexibility and Creativity. In light of students’ efficacy self-percepts pertaining to the eight habits of mind, the specific “writing, reading, and critical analysis experiences” in which students should engage include (1) assignments that encourage students to creatively and reiteratively compose, reimagine, and recompose pieces using a variety of modalities and conventions; and (2) assignments that encourage students to engage in data-driven metacognitive reflective writing.

This main argument this article makes is that the field of Rhetoric and Composition must expand our current multimodal framework to account for a sixth mode: the multilingual mode. Understood as the purposeful combination of multiple languages within a single composition, the multilingual mode has two distinct benefits: it allows us to more fully support multilingual students’ rhetorical abilities, and it also supports the work of antiracism in the college writing classroom by challenging the racism embedded in our current five-mode framework. To show potential enactments of the multilingual mode, this article spotlights three student projects along with student reflections on their work.

This article explores the range and frequency of First-Year Writing students’ emotional responses towards a project requiring multimodal composing and distribution of their work to an online public audience prior to and after completing the assignment. I analyzed the results using Driscoll and Powell’s emotion categories (generative, disruptive, and circumstantial) and found that students experienced a variety of emotional responses towards both multimodal composing and sharing online, including anxiety, excitement, and fear. I discuss how these findings challenge some assumptions related to writing instructors’ perceptions of post-Millennial students’ comfort with and interest in multimodal composing and writing for online audiences. The article concludes by offering pedagogical suggestions for instructors interested in critically integrating this type of digital assignment.

Over the past two decades, writing studies scholars have continually stressed the importance of fostering the development of student metacognition in the writing classroom. Not only does the development of a metacognitive awareness of the writing process help students to become stronger writers, it also allows them to more successfully transfer the knowledge they gain in their writing classes to other contexts. Although scholars have suggested a variety of reflective activities and assignments intended to encourage the development of metacognition, none have explicitly explored the potential links between mindfulness practice and metacognitive awareness. Mindfulness based pedagogies are increasingly finding their way into K-12 and college classrooms because of their ability to help students improve their memory, attention, and emotional regulation. This pilot study investigates whether or not mindfulness interventions in a college writing class can also help students develop metacognition. More specifically, this pilot study consisted of a control group and a treatment group of students, both enrolled in a foundational writing course. While both groups were asked to take the Metacognitive Writing Awareness Inventory at the beginning and the end of the course, only the treatment group participated in weekly mindfulness activities. Results from this pilot study support the hypothesis that mindfulness interventions can help to foster the development of writer metacognition in the college writing classroom.

Student retention and persistence is increasingly prioritized by state and local policies as well as national scorecards and rankings—however, the policies that politicians and administrators undertake to improve university metrics tend to ignore the realities faced by students at the heart of our institutions. Drawing on a survey/interview project involving 67 students repeating first-year writing classes at a diverse institution in the Southwestern US, this article takes a student-centered approach to understand the reasons they drop first-year writing, such as health concerns, lack of engagement with the curriculum, and their incompatibility with online learning or poorly taught online classes. In making recommendations to address the challenges students face, the author calls on writing teachers and administrators to take a more activist stance in their roles, by engaging in actions such as pushing back against exploitative working conditions, recognizing the racism inherent in strict attendance policies, drawing on work from directed self-placement to better guide students when considering online writing classes, and advocating for readings and curricular choices that take into account the diversity of students in writing programs.

Drawing on qualitative data gathered from interviews with twelve doctoral students in a composition program at a mid-size public university in the Northeast United States, this article documents graduate teacher-scholars’ conceptual understanding of translingual pedagogy in the context of college writing instruction. I analyze and describe the possibilities and challenges confronted by prospective composition teacher-scholars in implementing translingual pedagogy and conclude the article with a discussion of implications for mentoring programs, WPAs, and TAs.

As WPAs at a research institution without a WAC program, we embarked on this project to learn about the types of writing prompts faculty across the disciplines assign and their expectations for student writing. Although our first-year composition program is genre-based and focuses on teaching for transfer, we did not know what genres other faculty assigned nor which writing skills they hoped students could apply to their assignments. We also wanted to understand how they crafted writing assignment prompts and how they perceived students’ abilities to meet their expectations. We conducted semi-structured interviews with 10 faculty members from a range of disciplines about their writing assignments in courses in the major. We found that faculty (1) want or even expect students to take on certain disciplinary roles as writers in their assignments; (2) but they are not routinely making these expectations clear to students in their writing assignment prompts. To address these impediments to transfer, we present a three-part rhetorical framework for faculty that relies on genre to clarify expectations and allows for cuing to promote transfer for students in disciplinary writing contexts.

Over the past two decades, reflective writing has occupied an increasingly prominent position in composition theory, pedagogy, and assessment as researchers have described the value of reflection and reflective writing in college students’ development of higher-order writing skills, such as genre conventions (Yancey, Reflection ; White). One assumption about the value of reflection has been that skill in reflective writing also has a positive connection with lower-order writing skills, such as sentence-level conventions of academic discourse. However, evidence to confirm this assumption has been limited to small qualitative studies or deferred to future longitudinal research (Downs and Wardle). In the mixed methods assessment study presented here, we first investigated this assumption empirically by measuring the relationship between evaluative skills embedded in the genre of reflective writing and lower-order writing skills that follow sentence-level conventions of academic discourse. We found a high-positive correlation between reflection and writing assessment scores. We then used qualitative methods to describe key features of higher- and lower-scored reflective essays.

This essay describes writing and conversations that took place in my First Year Writing class at St. John’s University in Queens, New York. I analyze student responses to my invitation to consider more deeply—and wield more consciously—the language resources they bring into classrooms. I seek to understand the potential for their often deeply racialized assessment of their own language resources, and those of others, to enable them to build common cause across language communities and racial communities. In particular, I look at the role of Black language as a recurring trope in multilingual students’ writing about their experiences navigating the designation of “ESL” in school. I argue that the volatility of this trope—Black language serves in their work as a call-to-arms, stumbling block, source of strength, or taboo—poses a challenge to contemporary scholarship on language diversity. Ultimately, I center students’ invocations of Black language in the emerging discussion of translingual writing in composition studies, arguing that these students do the work Keith Gilyard has called for in connecting global and local US language struggles. This essay draws from a longer chapter in my book, Mapping Racial Literacies: College Students Write About Race and Segregation , in which I argue that student writing can contribute to and reshape contemporary understandings of how US and global citizens are thinking about race.

The writing process has helped define students as autonomous writers within the composition classroom. Yet, our writing identities are not stable and shift throughout the writing process. I argue that composition instructors should enhance students’ awareness to their own dynamic, writing subjectivities through a more expansive view of rhetorical invention, using posthumanism as a lens for composition pedagogy. This article presents a pedagogical practice utilizing concept maps and reflective prompts that help students recognize their ecological, writing landscapes. By tracking the human and non-human elements in their writer’s network, students can learn that writers operate within fluid, writing situations that continuously impact their writerly identities.

This program profile details the incorporation, scaffolding, and assessment of a large programmatic common reading initiative as a framework for other program directors to incorporate programmatic change and generate faculty buy-in. This profile describes the integration of a diversity-themed common reader used in a first-year experience program into a first-year composition program. The authors describe the main elements of implementation: selecting a diversity-themed common reader and preparing and executing multiple methods of faculty training. Additionally, the assessment methods of the program—including a faculty survey providing feedback on the administrative support and activities surrounding the common reading program, a survey collecting students’ diversity experiences, and student focus groups that collect the students’ responses to the pedagogical methods engaging them in diversity-themed work—are discussed. How the program’s implementation, faculty development activities, and assessment methods have been modified based on faculty engagement, student feedback, and survey results is also defined.

This profile offers insights from an established dual credit first-year composition program at a public state university in Texas, focusing in particular on the preparation and professional development of high school instructors who deliver college writing curriculum through an embedded partnership. The authors provide an overview of dual credit’s expansion and exigency nationwide, describe the history of the program at their institution, offer a discussion of relevant literature and research opportunities in composition studies, examine the program’s affordances and constraints, and conclude with strategies for writing pedagogy administrators and others with stakes in first-year composition/dual credit partnerships.

Not only is the current scholarship on technology professional development (TPD) of writing faculty at the periphery of Writing Studies, there doesn’t seem to be a clear conceptualization of the scope of knowledge and skills needed to teach writing with technology critically and productively. In this study, I address these issues using two research questions: a) What are the teaching with technology-related expectations for college writing faculty as stipulated in 11 CWPA, CCCC, and NCTE position statements? b) What are the characteristics of technology professional development programs, as identified in these statements, that train teachers to meet these expectations? The deductive analysis of these statements reveals that the three organizations have collectively stipulated three levels of technology-related expectations for writing faculty as well as the fundamental characteristics of an effective TPD program that would train in-service faculty to meet these expectations. Based on findings of this study, I argue that the institutional responsibility to provide writing faculty with robust TPD opportunities is not only professional but ethical as well.

This article reports findings from a single-bounded case study on student-athletes’ performance of what educational psychologist Yves Karlen refers to as metacognitive strategy knowledge (MSK) in two first-year composition assignments. This case study is focused on the following research question: how might the promotion of MSK in a FYC class support the development of student-athletes’ writing skills? Data collection includes semi-structured, in-person interviews, visual and bodily mapping exercises, and textual analysis of research participants’ academic writing. This essay offers a two-pronged argument based on the data. First, promoting the development of MSK through established composition and rhetoric writing assignments dovetails with student-athletes’ athletic literacy and supports their development as academic writers. Second, student-athletes’ prior knowledge and practice of metacognition helps instructors gain a stronger understanding of how they may use MSK to facilitate future writing assignments.

Current paraphrasing instruction in the composition classroom may ironically promote “knowledge telling” source use, such as patchwriting. We argue for an approach to source use instruction that teaches paraphrase as a spectrum of task-dependent rhetorical skills ranging from knowledge telling to knowledge transforming. We encapsulate and test the effectiveness of this approach in a series of interactive videos. These videos present a rhetorically-grounded framework for source use instruction, including think-aloud protocols that demystify how reading processes can be used to critically engage with source content. We validate this approach with two different demographics: Non-Native English speaking graduate students and First Year Writing students. Findings suggest our approach, compared with a workshop that used ‘traditional’ fear-of-plagiarism tactics, helped NNES students better recognize knowledge transforming as a task-dependent option and understand the process of note-taking to transform source texts. In contrast, the traditional workshop promoted knowledge telling behaviors.

This article proposes a model for collaboration between composition instructors and instructional librarians to promote visual literacy instruction in first-year writing courses. While the creation of visual content is essential to digital composing technologies, it often remains underutilized as a tool for writing development in first-year curricula. Drawing from complementary threshold concepts outlined in composition scholarship and the ACRL Framework for Information Literacy , we demonstrate how librarians and writing instructors can engage in collaborative instruction to bridge gaps between theory and practice and leverage existing institutional expertise to support multimodal instruction in first-year writing.

This program profile describes how teachers and administrators have collaborated in the design and implementation of a number of linguistic, cultural, and transmodal pedagogical and curricular initiatives. Strategies that writing teachers can implement to best meet the needs of multilingual students across a range of institutional contexts are discussed via a social justice lens. A focused examination of our First-Year Writing program’s layered response to increased international multilingual student enrolment as well as a brief discussion of campus-wide responses are offered to showcase how translingual, transcultural, and transmodal approaches to First-Year Writing can empower students, inviting them to learn from their existing linguistic and cultural funds of knowledge.

In this program profile, we describe how the FYC program at Texas A&M University-San Antonio is working towards developing an antiracist and decolonial program in response to our recognition of the racialized violence and injustice the program was unintentionally inflicting on our student population. We structure this profile using comadrismo, a conversation between two Latina faculty, to describe their experiences around five themes: labor division and equity, assessment and social justice, revising programmatic documents, professional development, and constraints and shortcomings. Furthermore, we discuss the most salient aspects of this work for programs that may also be interested in seeking social justice through antiracism and decolonization. Specifically, we work through and identify three forms of labor we have learned are necessary to engaging in this work: honest and critical self-interrogation, faculty buy-in and community building, and an understanding that this kind of work is an ongoing process.

This article seeks to answer two questions: what kinds of expertise are needed to lead an effective dissertation boot camp; and how can those outside the graduate student’s discipline support their writing? Drawing on four years of application data and post-camp interviews, I reveal how writing process knowledge—similar to that described in the scholarship on first-year composition—is a fundamental reason dissertators seek help from the boot camps. Ultimately, the article argues that the importance of writing as a dissertation-related threshold concept should be clearly stated and understood across all disciplines: doctoral researchers continue to learn and practice writing. As part of broadly accepting this threshold concept, it becomes clearer that those trained in writing pedagogy and its theories are best situated to lead the most helpful writing-process style boot camps.

Wikipedia’s gender gaps are both well-established and well-challenged, and while Wikipedia-based assignments have become more common in composition, teacher-scholars have not fully explored the opportunities for feminist pedagogy offered by the encyclopedia. This article reports on a teacher research study designed to examine the efficacy of the feminist rhetorical approach for understanding critical literacy learning through Wikipedia-based assignments in First-Year Composition (FYC). Findings from student forum posts, surveys, and reflection essays suggest that, despite its benefits, the Wikipedia assignment has been met with challenges that hinder students from making contributions critically and effectively, especially as they struggle to assume agency and criticality in the FYC classroom. By identifying and addressing these challenges, we seek to offer alternative approaches to teaching feminist rhetorical inquiries in FYC, and to expand the current critical practices in Wikipedia-based writing instruction.

Positioned within our field’s work on supporting transfer of writing-related knowledge through careful course design, this article describes the development of a pedagogical intervention designed to help students identify knowledge gaps and pose questions about rhetoric and genre. Below, I tell the story of a 2012 teacher research study that helped me identify a key problem in my inquiry-based first-year composition classroom: while students were comfortable asking questions, they were not asking the kinds of questions that would help them move across assigned genres most successfully. I explain how this finding led me to develop a rhetorical reflection assignment and explore the rhetorical reflections of two students in my fall 2016 FYC course to identify and describe what happens when these knowledge domains are explicitly emphasized in reflective tasks and to consider questions for future study of this kind of reflective writing.

This article searches after more nuanced understandings of safe space pedagogies in writing classrooms. Drawing on experiences of teaching a first-year writing course on a campus that had been tagged with white supremacist graffiti, this article uses autoethnography and narrative to rethink the function of place in composition pedagogy and develop feminist tools for teaching. This article suggests that classrooms should not be thought of as singular places, and for that reason a safe space pedagogy cannot be thought of in stable or static terms; instead, this article attempts to articulate a situated and contingent idea of safe space pedagogies.

This article explores the scope , foundation , and application of autoethnography in first-year composition and critical thinking classrooms. I broaden autoethnography’s scope from Mary Louise Pratt’s focus on colonial power dynamics to engage rhetoric, discourse, ideology, and materiality at large. I argue that indexing this broader conceptual scope to place-based education produces four key pedagogical effects : to increase students’ awareness of assumptions and practices, their engagement with learning, their opportunities to encounter difference, and their capacity to effect change. Place-based autoethnography, in turn, spatializes writing theory by attending to student geographies. Two assignments—the “autoethnography” and “cultural artifact”—redevelop writing as a space between chaos (disorder) and cosmos (order). I suggest that writing functions as a way to take up space and endow it with place, or value. Mapping the effects and affects of cultural artifacts from their lives, students chart the meaningfulness of objects and discourses in their socialization, leading to the aforementioned pedagogical effects. Consequently, place-based autoethnography is uniquely situated to engage students ( and teachers) with their lifeworlds.

This profile of the Writing at Moravian program discusses how an application of activity theory has facilitated a collaborative and context-responsive (re)development of the First-Year Writing, Writing Fellows, and Writing-Enriched Curriculum programs at our small liberal arts college. Activity theory is presented as a lens and flexible tool that allows us to identify and evaluate the myriad dynamic components of these interrelated programs in order to align the objectives of each program to work towards our programmatic mission built upon the fundamental ideas of transfer, reflective practice, and threshold concepts.

This article revisits the relationships among gender, service, and composition pedagogy through a qualitative study of active-duty military officers who teach first-year writing at the United States Air Force Academy, one of the five major U.S. national military service academies. The U.S. national military service academies are under-studied sites of writing; there is little published about the experiences of the active-duty officers who comprise a significant portion of the first-year writing teaching faculty at these institutions. Interviews with the officers about their first-year writing pedagogy are framed by an analysis of military leadership policy as well as scholarship on writing teacher development, feminist composition pedagogy theories, and critiques of the role of service in composition studies. This study describes the officers’ first-year writing pedagogy and argues that the experience of these officers, framed through the theories of military leadership and the military service ethos, introduces a new way to understand how the concept of service could operate in first-year writing pedagogy. The officers’ experiences also support arguments that service in composition classrooms is still problematically gendered: even within a military environment, female officers report that they have less freedom than their male colleagues to demonstrate an ethic of care towards their first-year writing students.

Writing Studies’ emphasis on knowledge-transfer and learning stems from our pedagogical focus and is motivated by the fact that much of our research is about and our teaching is directed at students who will be entering other disciplines. Much of the research in the field has focused on tracing transfer and learning longitudinally through students’ college careers. This paper contributes to this larger body of research by presenting an approach to researching transfer and learning that focuses on the situated, moment-to-moment interactions that occur when students learn, when their dispositions form, and when they experience transfer. Initial findings from a study conducted at an R1 public university following this approach reveal that within these moments, students engage in complex boundary-marking interactions that iteratively define the material and discursive world and students’ place within it. The boundary marked in each iteration then affects future boundary-work, a phenomenon this study calls micro-transfer . The initial findings reveal that any given moment can have a profound impact on the trajectory of a student through a class, and that boundaries themselves have different characteristics and micro-transfer depends upon these characteristics. This study presents an initial set of categories of boundaries based on their flexibility and permeability and the field in which they form that could be a foundation for future research in boundary-work and micro-transfer in writing studies.