Hua Wang Vee, Annette, Tim Laquintano, and Carly Schnitzler, editors. TextGenEd: Teaching with Text Generation Technologies. The WAC Clearinghouse, 2023. https://doi.org/10.37514/TWR-J.2023.1.1.02. The rapid rise of AI, especially since the launch of ChatGPT in November 2022, has intensified debates about the role of AI tools in higher education. While some educators reject AI’s use—particularly in writing […]

Kristina Quynn Abstract CSU Writes supports researchers as writers across their career span at Colorado State University. The program emerged in an already rich writing ecosystem that includes a Writing Center and the WAC Clearinghouse. Since 2015, CSU Writes has helped thousands of faculty, postdoctoral fellows, and graduate students write more regularly, skillfully, and with […]

Kimberly K. Gunter, Lindy E. Briggette, Mary Laughlin, Tiffany Wilgar, and Nadia Francine Zamin Abstract In this program profile, we recount the development of Fairfield University’s award-winning WAC/WID program. We specifically describe the roles of labor and disciplinarity in building “shock-absorbent” WAC program architectures that enable WAC programs to persist. Arguing that labor resources are […]

This program profile describes the development and implementation of the Faculty Writing Fellows program at Curry College. The Writing Fellows program is designed to introduce faculty outside of Writing Studies to Writing Across the Curriculum theory and practice, which leads to their development (or reworking) of a Reading and Writing Enriched course at the College. It was designed to orient faculty to best practices in the assessment of reading and writing, while minimizing the labor associated with writing-intensive courses.

As WPAs at a research institution without a WAC program, we embarked on this project to learn about the types of writing prompts faculty across the disciplines assign and their expectations for student writing. Although our first-year composition program is genre-based and focuses on teaching for transfer, we did not know what genres other faculty assigned nor which writing skills they hoped students could apply to their assignments. We also wanted to understand how they crafted writing assignment prompts and how they perceived students’ abilities to meet their expectations. We conducted semi-structured interviews with 10 faculty members from a range of disciplines about their writing assignments in courses in the major. We found that faculty (1) want or even expect students to take on certain disciplinary roles as writers in their assignments; (2) but they are not routinely making these expectations clear to students in their writing assignment prompts. To address these impediments to transfer, we present a three-part rhetorical framework for faculty that relies on genre to clarify expectations and allows for cuing to promote transfer for students in disciplinary writing contexts.

This program profile describes the development and implementation of The Black Ink Project at Morehouse College. The Black Ink Project is a curricular initiative intended to support the development of writing abilities among the Men of Morehouse and immerse them in the writing process in the tradition of articulating servant leadership for which the institution is known. Their study informs them of the Black Experience in Africa, America, and the Diaspora. Key to the success of The Black Ink Project is the preparation of faculty, equipping them with the knowledge of culturally relevant pedagogy and strategies for teaching and assessing writing across the curriculum and within the disciplines.

As this article argues, a systematic approach to WAC/WID work that conceptualizes interdisciplinary interaction as a deliberative argument (rather than a benign collaboration) benefits all aspects of a WAC/WID program, in particular projects involving writing and other disciplinary faculty. Our approach builds from scholarship that highlights the distinction between “adversarial” and “collaborative” deliberation, in particular the work of Patricia Roberts-Miller and the foundational rhetoric theories of Chaïm Perelman and Lucie Olbrechts-Tyteca. After laying out the contours of our approach, the article details a recent not-quite-successful attempt at interdisciplinary collaboration. In documenting this example, we illustrate that a systematic focus on combining adversarial and collaborative deliberation can prevent common pitfalls of writing scholars working with other disciplinary faculty, including the problems that arise when writing is considered ancillary to disciplinary “content.” In this sense, our example highlights the deliberative missteps that our approach is precisely designed to prevent.

In this interview, Rachel Riedner and Íde O’Sullivan discuss the context in Ireland that has motivated a shift to US process-based curricular and the emergence of Irish writing centers that incorporate both American-style WAC and WID elements. In doing so, Riedner and O’Sullivan make clear that such changes are the work and expertise of the dedicated faulty at the University of Limerick as well as a series of entangled, contemporaneous discourses: the desired qualifications for employment posted by private corporations; a nationally funded series of curricula reforms designed to improve the Irish economy, employment rate, and profile within the globalized economy; the students’ respective desires for employment after graduation; and a cultural expectation that a degree automatically prepares students for the job market.

This profile of the Writing at Moravian program discusses how an application of activity theory has facilitated a collaborative and context-responsive (re)development of the First-Year Writing, Writing Fellows, and Writing-Enriched Curriculum programs at our small liberal arts college. Activity theory is presented as a lens and flexible tool that allows us to identify and evaluate the myriad dynamic components of these interrelated programs in order to align the objectives of each program to work towards our programmatic mission built upon the fundamental ideas of transfer, reflective practice, and threshold concepts.

This study examines the ways in which 28 top-rated Canadian universities are using required and elective courses to focus on developing student writing skills. Currently, 40 percent of the universities rated in the top 15 of MacLean’s magazine’s 2018 ‘Comprehensive’ category require that their students take at least one course which focuses on writing, usually in the first year. Thirteen more top-rated schools require writing courses. Some also offer many upper-division courses to further develop and refine students’ writing and critical thinking skills, using Writing Across the Curriculum and Writing in the Disciplines programs. These schools are responding to a clear call from professors, employers, government oversight agencies, and the students themselves for more advanced communication skills, especially writing, upon graduation.

This profile describes the first three years of initiating new writing-intensive seminars for the General Education curriculum at a small, career-focused, Catholic University. The primary reason for implementing the program was to initiate new writing-intensive seminars to replace existing writing-intensive General Education introductory courses that were not achieving hoped-for results of improving student writing skills, based on a faculty survey. It explains the strategies and theories used for involving faculty across the disciplines to teach theme-based courses each faculty member designs, the workshops that supported faculty efforts, and the administrative details of incorporating new seminars into the General Education program for students earning Associate or Bachelor degrees. Seminars are designed to be discipline-based and include writing-in-the-disciplines as well as writing-across-the-curriculum components.

Tinkering is a longstanding material practice that has gained popularity in recent years as a learning strategy at numerous schools, camps, and makerspaces. This article seeks to establish in composition pedagogy tinkering’s playful, exploratory ethos by introducing a practice called critical-creative tinkering . In critical-creative tinkering, a writer dwells inside a source text by reading and rewriting it, generating an alternative text. Building on the itinerant status of traditional tinkers, this article promotes critical-creative tinkering as a pedagogy that moves or travels across the curriculum. Toward that end, it presents tinkering assignments and student responses to them from two different writing-intensive courses: an introductory literature course and a professional writing course.

In this profile we describe changes to the composition program at Missouri University of Science and Technology, prompted by the hiring of the university’s first writing program administrator (WPA). We describe our efforts to implement evidence-based best practices in undergraduate writing courses in a context where very little program specific evidence was available. We also describe how challenges of effecting change at a university largely composed of science, technology, engineering, and mathematics (STEM) students has meant that many of the changes have been framed by the spirit of Writing Across the Curriculum (WAC) initiatives. Several new methods of assessment have been introduced to the program, including instructor feedback, student surveys, and skills tests. Allowing assessment to drive standardization has begun a process of measuring the transfer of student knowledge we believe other departments will find interesting. We close by outlining unresolved issues and ongoing challenges as the program moves forward.

This program profile examines efforts by WPAs at York College, a senior college in the CUNY system, to adapt to externally imposed changes and develop a locally meaningful writing program. 1999 marked the end of remediation at four-year (senior) colleges in The City University of New York. The elimination of developmental writing at CUNY’s senior colleges was accompanied by a university-wide mandate for WAC. Fall 2013 marked the start of a university-wide set of general education requirements that will partially eclipse existing local requirements. Between these two bookends, WPAs—drawing on a mindset of relative agency and informed by an awareness of the curricular and institutional positioning of writing—carried out local efforts to build a more effective and coherent program.

This program profile describes the efforts needed to develop a new writing program at a small college. The author explores how she cultivated relations with disciplinary faculty to collaboratively redefine a “problem” into an opportunity by adopting Krista Ratcliffe’s technique of rhetorical listening. She then outlines the Writing-Enriched Curriculum (WEC) and Writing Across the Curriculum (WAC) components of the writing program. Additionally, the author offers lessons learned about writing program development and building productive college-wide relationships as well as some precautions. Overall, the profile contributes to existing scholarship on small college writing programs by addressing issues of program development and explores the possibilities of rhetorical listening for writing program administrators.

Writing centers can be staffed wholly or partially by tutors with little training in science writing. This article suggests that an emphasis on scientific rhetoric, not content, may be most useful for training tutors and developing handouts and checklists to aid novice science writers in invention and revision. The article also suggests that a training program in science writing can be informed by local science faculty’s major concerns. However, these faculty discussions toward tutor training should be supplemented through WAC-WID and genre research to retain a training focus on the connection between scientific thought and scientific writing, science writings’ primary genre families, and the delivery of scientific writing to different audiences.

This program profile describes how a writing center embedded within a major school of business negotiates its unique positionality. Tracing both the successes and shortcomings of a writing initiative tasked with improving the school’s quality of writing, the profile offers a number of insights on both WAC and writing center work, including how to enact curricular change, encourage faculty to incorporate writing into their classes, maintain programmatic continuity with frequent turnover of graduate student administrators, and consult effectively with undergraduate students. Several sites of analysis are addressed, as the initiative seeks to remain committed to its mission while encountering various challenges.

At three different institutions, public and private, in varying roles, I have found the very particular problem of how to inform micro-level classroom practices with macro-level disciplinary knowledge to be centrally important to our field’s development and our students’ learning—and singularly difficult to overcome. In this program profile, I outline how we have worked (and are still working) to overcome this problem at the University of Central Florida and describe some of our successes in reducing reliance on contingent labor and gaining support and resources for the elements of a vertical writing education (writing center, WAC program, minor, and certificate) beyond first-year composition.

Through an examination of four current trends in composition instruction, this article presents a new lens for envisioning composition instruction that integrates the best aspects of the writing across the curriculum, genre-based curriculum approach, ecocomposition, and writing across communities theories of writing instruction. The "literacy landscape" proposed herein explicitly values the integration of student learning “incomes” within the composition classroom and derives from the author’s experience teaching within a large composition program that employed aspects of the genre-based curriculum, and both WAC approaches. The literacy landscape is envisioned to act both as a lens for imagining a more comprehensive approach to administering composition programs, as well as to teaching composition.