JAC: A Journal of Rhetoric, Culture, and Politics

1180 articles
Year: Topic:
Export:

1984

  1. Writing as illusion
  2. The student's reader is always a fiction
  3. Textbook reviewing and professional responsibility
  4. Reading, responding, composing: A revisionary approach
  5. On revising noun compounds: Four tests
  6. A model for analyzing revision
  7. Writing across the curriculum: Students as scholars, scholars as students
  8. Readers, writers, and texts: Writing in the abyss
  9. Linguistics, empirical research, and evaluating composition
    Abstract

    Houlette argues that the poor correlation of syntactic measures with holistic scores may not mean that syntactic measures are invalid criteria (he cites Faigley, 1980, “Names”). Rather it is possible that holistic scoring is inaccurate. Houlette reasonably argues that “Instead of questioning the ability of the variables to correlate with grades, [Faigley] could have questioned the ability of grades to correlate with variables” (p. 111). Houlette reports the findings from his dissertation [completed in 1982 at the University of Louisville; see Houlette, 1982] that given-new measures and words per sentence explain twenty-three percent of variance in paper grades: “What this study tells researchers in composition who adhere to humanistic methodologies is that the assumption of the validity of reliably assigned holistic scores is a dangerous assumption. It would seem that such scores can at some times be more valid than at other times. What this study tells researchers who follow the empirical tradition is that they need more fully to explore the relationships between holistic scores and external criteria” (p. 112). [Of course, that relationship had been already explored by many researchers; e.g., Slotnik, 1974; Thompson, 1976; Nold and Freeman, 1977; Howerton, Jackson, and Selden, 1977; Breland and Gaynor, 1979.] Houlette calls for “cross-training researchers” in both humanistic and empirical methodologies (p. 112). RHH [Rich Haswell & Norbert Elliot, Holistic Scoring of Written Discourse to 1985, WPA-CompPile Research Bibliographies, No. 27]

  10. An experimental study of written communication apprehension and language choice in a business setting
  11. Some uses of autobiography private writing in public places
  12. The exercist: Atavistic rhymes and rhythms
  13. Beyond the workshop: Suggestions for a process-oriented creative writing course
  14. The implied author in technical discourse
  15. Beyond the mechanical: Technical writing revisited
  16. Training technical communication teachers in English graduate courses

1983

  1. Composition and the empirical imperative
  2. Essay thinking: Empty and chaotic
  3. The teacher as philosopher: The madness behind our madness
  4. Linear composing, discourse analysis, and the outline
  5. Thinking and writing: A sequential curriculum for composition
  6. Freud, Weber, and Durkheim: A philosophical foundation for writing in the humanities and social sciences
  7. Linguistic descriptions of speaking and writing and their impact on composition theory
  8. The role of audience in Chaim Perelman's New Rhetoric
  9. Autobiography and audience
  10. Reading and writing for engineering students
  11. When we dead awaken: Reviving metaphor in medical writing
  12. Writing as learning and the superior student
  13. Writing-across-the curriculum programs: Theory and practice, a selected bibliography
  14. Convention as transition: Linking the advanced composition course to the college curriculum
  15. Developing content for an M.B.A. communications class

1982

  1. James Britton and the pedagogy of advanced composition
  2. Some implications of Kenneth Burke's 'way of knowing' for composition theory
  3. Writing for publication in an advanced course for undergraduates
  4. Managing student writing: A cross-disciplinary venture
  5. Assignments in the humanities: Writing-intensive course design
  6. On-line bibliographic searches in report writing courses
  7. The creation of metaphor: A case for figurative language in technical writing classes
  8. Invention and metaphor
  9. Between writer and text
  10. The composing process of technical writers: A preliminary study
  11. The role of preconscious thought in the composing process
  12. Teaching style: A process-centered view
  13. A comparative analysis of revisions made by advanced composition students in expressive, persuasive, and informative discourse
  14. Re-creating creators: Teaching students to edit autobiographical materials
  15. Problem-solving and autobiographical writing
  16. State of the art in advanced expository writing: One genus, many species

1981

  1. Towards an epistemology of composition
  2. Calculators and quality: A paradox for writing teachers
  3. Enclosures: The narrative within autobiography