This webtext juxtaposes six exercises in place-based writing, locative, media, and creative methods during a “BioBlitz” held at a nature reserve. Four frameworks inform the six educational interventions: “creative-critical electorate fieldwork,” Indigenous environmental justice, deep mapping and critical cartography, and analog/digital/post-digital writing. Readers can explore descriptions of all six workshops, authored by the facilitators. Together, the pieces that make up the “North Woods Project” show the array of paths that researchers and practitioners in arts, sciences, and technology can take when united by a single location and a shared theoretical framework.

Methodologically, this webtext takes up a diversity of modes of making, documenting and reflecting on this shared learning journey, including photography, interviews, participant observation, and a documentary film. This is conveyed through a spatial rhetoric that is designed to evince and allow access to different thematics and elements in the interface so that readers—students, educators, researchers—may differentially traverse the multimodal account of the learning journey.

Space matters, and regardless of our commitments to one theoretical framework or another, we should continue to invite students to write about space and about their embodied experiences with/in space. In so doing, however, we should be mindful of the worldviews our spatial rhetorics and pedagogies present and authorize, however implicitly.