Our patterns of connection shape how we think, write, read and relate. In response, scholars have begun to understand and teach literacy as a networked phenomenon. This essay contributes to that effort. I argue that in an age of media convergence, to think networked literacy is to think everyday digital media literacy habits, particularly as they relate to the design and maintenance of information ecosystems. Combining new materialist writing studies scholarship with design thinking and media theory, I propose and model a materialist approach to literacy analysis that respects both the human and non-human elements in such systems. I then discuss how this approach might inform writing pedagogy.

Drawing on two accounts of information literacy, one from American students and another from teenaged Macedonian fake news makers, I argue that developing an information literacy reflective of the monetized and hierarchical nature of networks is paramount to writing and research. Focusing on the relationship between technological discourse—what is said about technology—and literacy—what people do with technology, I argue that recognizing the influence of corporations and differences between print and digital media are paramount for the development of information literacy.

Literacy researchers might develop a richer understanding of how literacy practices construct communities and writers within those communities through more detailed attention to what writers do when they write. Very little is currently known about the processes by which individuals are actually composing in digital writing environments. However, in this cultural moment of sweeping social, linguistic, and technological literacy transformations, research on digital composing processes involves unique methodological challenges. Contemporary writing technologies intersect with digital literacy composing processes in ways that require critical ethical and methodological decision-making by literacy researchers at all stages of the research process. In this article, I argue that research on contemporary composing processes provides a crucial window onto literacy as a social practice, and further, that such research poses unique methodological challenges for researchers. Through an examination of Facebook writers’ composing processes, I articulate some of these challenges and offer guidance for future research.

Children’s development of literacy in multiple languages has received increasing attention in Literacy Studies (I. Reyes). Researchers have noted the role that family support plays in children’s biliteracy development (Bauer and Gort; Gregory; Li; M. Reyes). Yet the impact of this support on the adult literacies of parents has received much less attention. This study focuses on Arab immigrant parents’ participation in their children’s emergent biliteracy, on the development of digital and transnational literacies by immigrant parents, and on how specifically they are influenced by the digital technologies used to support their children’s developing biliteracy in Arabic and English. We use the framework of Digital Biliteracy, which focuses on “the process of developing literacy in two language[s] through the use of digital technologies” (Al-Salmi, “Digital Biliteracy as a Social Practice” 4352), to examine digital literacy development in two languages among immigrant families. In this qualitative case study of transnational literacies of Arab immigrant mothers, we show that as these parents become involved in their children’s biliteracy, they use digital technologies to produce and interpret written texts in English and Arabic. In doing so, these mothers’ literacies are shaped through the process of helping their children become literate in Arabic and English via on-line and digital technologies.

This article theorizes the development of a hybrid literate identity—one of both reader and writer. That is, prior to the emergence of social and digital media, the act of meaning-making in models of audience and writing developed in or emerging from the social turn in composition were more heavily dependent on the writer. Based on analysis of wiki talk pages, I describe a model of writing that accounts for “readers-as-writers.” Consequently, this article builds upon audience scholarship to develop a “hypersocial-interactive model of writing” to help us to better understand possible reader and writer roles in digital writing environments.