Conversations around GenAI and Linguistic Justice are dominating scholarly conversations in composition studies, and yet little work looks at the two together. We argue that the rise of A.I. can serve as a kairotic moment for enacting linguistic justice by returning to expressivist approaches to student writing. We share experiments working with GenAI platforms in attempts to produce diverse voices in writing and then offer our own experiences as writing instructors centering student voice in instruction.

This article focuses on how Street’s naming and delineation of the concept of “literacy practices” and the “ideological model” of literacy enable us to see and understand the literacy work of two 19th century African American women “literacy workers.” It introduces and provides an overview of the work of Frances (Fanny) Jackson Coppin and Hallie Quinn Brown and seeks to add early Black feminist voices of literacy workers in spaces often left out of dominant discourses around literacy. This article reveals how literacy for African American was, and is, tied to political, and social survival of a people.

The bulk of literacy education historical narratives about Black Americans has been gentrified by mainstream Euro-American perspectives. This article considers the contributions of a Black-American-developed form of institutionalized community education to demonstrate the critical race theory voice-of-color thesis in college-level composition-literacies education. Through reviewing the curricular, pedagogical, and instructional practices of pre-college independent Black institutions, the author works to reclaim the unique rhetorical voice of this Afrocentric literacy education form and insert it into American literacy education histories. The article presents two established unique voice of color counter-stories grounded in truthfully representing and advancing Black American cultures to argue that central features of these Afrocentric literacy education programs can afford college composition programs race- and community-conscious writing education.

In order to contribute new knowledge about the digital literacies of midlife and older adults on social media, this study examines the literate practices of a subpopulation of Instagram users: female lifestyle Instagrammers and bloggers who self-identify as being over fifty. Survey results reveal why these women use blogs and Instagram, how they developed digital literacies, and who or what influences their practices. Case studies provide examples of the unique ways three women use Instagram to achieve visibility. Whereas most existing scholarship on visual depictions of age focuses on images that are controlled by other people (e.g., advertisers, community groups), I show how women use digital literacies and the affordances of Instagram and blog platforms to control their self-representations. Through their multimodal performances of identity, the women participate in discourses on aging and gender and pursue their goals of self-expression, inspiration, connection, and promotion.

As a composition historian working with nineteenth-century American literacy artifacts, I have become increasingly aware of how particular keywords have come to dominate our histories. Specifically, I have noticed how the keyword that most resonates with my research—literacy—has been eclipsed and to some extent erased by the dominance of the keyword “rhetoric” in our history writing over the last decade. Why has this happened? How does this trend affect the materials historians look for and the questions they ask? How do our keywords modulate the voices of our artifacts? How do our keywords determine the uses we claim for history?I have surveyed book-length American composition histories published between 1999 and 2010 in order to describe the major trends shaping the kinds of histories we are producing to see if we can identify gaps and fissures, the roads not taken, in relation to these major trends. The preliminary thesis I put before you is that we are in danger of closing off certain types of materials and questions because our histories are increasingly dominated by the keyword “rhetoric.”