This bold and triumphant collection argues from page one until the end that so-called “expressivist” theories and practices have always been “critical,” that they do not stand in direct opposition ...

This article analyzes the rhetorical practices at a nineteenth-century Catholic school run by women religious for young women of all faiths. This school, St. Mary-of-the-Woods, embraced its motto “virtue and knowledge combined” to achieve its goal of establishing the French religious spirit in a country with anti-Catholic biases. Teaching lessons based on their French traditions, the sisters replaced lessons in religion with ones on morality and virtue. Thus the sisters promoted their French religious spirit without appearing to proselytize; even without converting students to Catholicism, the sisters succeeded in helping to establish the “French religious spirit” in Indiana.

Henri Dunant visited Italy to find Napoleon III in order to make a financial appeal. Shortly after Dunant’s arrival, he witnessed the 1859 Battle of Solferino, a particularly brutal moment in the attempts to unify Italy. From witnessing the battle and the care for the wounded, Dunant wrote A Memory of Solferino to call for a peacetime organization that would better administer care for the wounded. In his appeal Dunant counts on significant affective responses from his audience, yet he emphasizes administration and planning as the way to manage and channel the overwhelming affective responses that come from war.

This article links language requirements in rhetoric and composition graduate programs to a dominant monolingualist ideology in composition studies. It argues that future faculty can be best prepared to conduct disciplinary work in the context of linguistic heterogeneity through a variety of collaborative pedagogical practices that reflect and advance a “translingual” language ideology.

Treatment for Dissociative Identity Disorder aims to integrate diverse narratives into a coherent whole. However, no compelling reason exists to privilege a cohesive narrative; in fact, treatment may at times introduce false memories in an attempt to construct such a narrative. This essay critically examines dominant conceptions of memory and consciousness based on logic and coherence in order to argue for the value and validity of fragmented narratives as a legitimate rhetoric.

AbstractThe public address about scientific practice is an understudied genre in the scholarship on the rhetoric of science. Recent scholarship has studied expert-to-layperson addresses but not the relationship between addresses and other science writing. This article analyzes a scientific article and two speeches by Henry Rowland, the first chair of Physics at The Johns Hopkins University, and investigates how the public address supports and develops scientific ethos. Scientific ethos is developed through the genres of the scientific article and the public address, which delineates the mental activities that are presented through more commonly studied rhetorical activities in the scientific article. Correction StatementThis article has been republished with minor changes. These changes do not impact the academic content of the article.Notes1. 1I thank RR reviewers John Campbell and Andrew King for their generous comments and my colleague Michael Zerbe for his advice and time. This article is stronger for their input.2. 2For examples of this scholarship, see Charles Bazerman's The Languages of Edison's Light, Alan Gross, Joseph Harmon, and Michael Reidy's Communicating Science, and James Wynn's Evolution by the Numbers.3. 3For examples of recent projects discussing the role of rhetoric in public debates about science, see Leah Ceccarelli's On the Frontier of Science, Alan Gross and Joseph Harmon's Science from Sight to Insight, and Aimee Kendall Roundtree's Computer Simulation, Rhetoric, and the Scientific Imagination.Additional informationNotes on contributorsGabriel CutrufelloGabriel Cutrufello is an assistant professor in the English and Humanities Department at York College of Pennsylvania. He can be contacted at gcutrufe@ycp.edu.

In recent years feminist rhetoricians from Communication Studies and English have urged scholars from these fields to keep apace with the developments in both transnational studies and transnationa...

In classical stasis, jurisdiction questions are posed within a traditional institutional context where speakers share material proximity and a background consensus. However, in modern literate controversies, it can be difficult to assume either of these kinds of shared experience. This study shows how cultural professionals writing about the Brooklyn Museum controversy used referee design to help constitute the art world jurisdiction. Referee design can extend classical stasis frameworks to help explain jurisdiction in cases where ostensive participants are writers and readers who do not share proximity or a background consensus.

Rare are the instances wherein scientific communication occurs only in words. Pages of scientific research are littered with images, tables, figures, and data displays. From the anatomical drawings...

This article addresses how nondisabled people identify with and become disability advocates and how this identification can also fail to occur. The advocacy work of a group of fraternity brothers in the late 1960s highlights both the local successes that personal connections to disability offer and the shortcomings of large-scale advocacy efforts that lack meaningful engagement with disabled groups. Situated histories of advocacy offer models for how we can build and sustain solidarity across difference, craft more inclusive understandings of accessibility and disability, and engage more thoughtfully in our advocacy work.

In early June 2013, a group of rhetoric and composition scholars gathered in Lawrence, Kansas, to take part in a comparative rhetoric seminar, part of the 2013 Rhetoric Society of America Summer In...

Steven Pinker has written a potent prescription against the outdated and pedantic manual Elements of Style by William Strunk and E. B. White (Boston: Pearson, 2014), the alarmist manifesto Eats, Sh...

This article investigates the role that scientific portraits play in shaping public perceptions of scientists and, by extension, the scientific enterprise. A new category of scientific portrait, termed the “scientist at work,” is introduced and discussed through the lens of Perelman and Olbrechts-Tyteca’s theories about creating value and presence for an audience.

Joseph Bizup's BEAM schema establishes a rhetorical approach to research writing pedagogy, articulating four distinct ways writers use sources: for background, exhibit, argument, and method. This article rechristens the framework I-BEAM, identifying a fifth category: instance source use, a constitutive function that establishes the need for the writer's argument. Instance source moves appear in numerous locations––introductions, textual asides, footnotes/endnotes, and epigraphs––and can situate the writing in both academic and popular contexts. Attention to this exigency move highlights the problem of authenticity in school-based writing and raises questions about sources formative to the writer but invisible to the reader.

Arguments about the future of libraries are more trenchant than ever. Yet questions about the nature of public libraries are inseparable from questions about their public character. Historically, competing arguments about the ideal relationship between libraries and their publics have mirrored evolving technologies that affect a library’s potential content and accessibility. But today, when socially excluded populations need libraries to gain the cultural capital necessary to participate in civil society, threats to public libraries also threaten the public sphere’s viability as a way for the disenfranchised to address the state.

Most historical research in rhetorical studies is underwritten by an imperative to “broaden” the field’s historical horizons—to seek out overlooked, underrepresented, or excluded subjects. This “broadening imperative” is commonly aligned with revisionary historiography, which became a tool for historians to critique disciplinary values during the canon wars of the 1980s and 1990s. However, due to political and intellectual shifts in recent decades, “broadening” has become a preservative act to strengthen the field’s ideological values rather than a critical one to examine them. Ultimately, if historians value the radical perspective of “revisioning,” it is necessary to reinvest in critical historiography.

Carolyn Skinner’s Women Physicians and Professional Ethos in Nineteenth-Century America is an impressive work; her research is both exhaustive and comprehensive. In this carefully documented text, ...

Though largely debarred from public rhetorical performance as adult women, young women in the nineteenth-century US received rhetorical training and performed their original compositions before large public audiences as high school students. Their access to the academic platform stemmed in part from their politically contained position as students and “girls” in this context. But students used these opportunities to intervene in political debates and to comment on their experiences as women and students. These rhetorical interventions represent an important part of our rhetorical history, shedding light on a significant rhetorical opportunity for many young women across the US.

An explanation of the history of standardized tests in the US reveals the ways they have shifted from tools of articulation to tools of accountability not only in K–12 classrooms but also in higher education. Understanding the competing interests at play and the potential effects of the Common Core State Standards at the college level is crucial to reasserting assessment as a teaching and learning practice instead of a system of accountability.

Recent scholarship in rhetoric and composition studies theorizes agency as irreducible to human cause-and-effect. While this theory infiltrates many disciplinary conversations, however, our reliance on the terms students and teachers within pedagogical discourses manages our rhetorical imagination of pedagogical agency by committing us to individual, human agents every time we invoke these terms. Rather than expel these terms and the important work they underwrite, we can draw on social systems terminology of elements and relations in order to account for the ways that students and teachers emerge as agents and to imagine alternative conceptualizations of pedagogical agency.

As Beverly LaHaye tells it, Concerned Women for America (CWA) was born during the evening news. The year was 1978, and LaHaye was sitting in her San Diego living room with her husband, the conserva...

Roughly over the last twenty years or more, critical race theorists and whiteness theorists have magnetized considerable attention in the academy. Many scholars, including numerous critical race th...

As I read and reread Young’s text for this review, I was struck by news of the activist and professor Cornel West stating, during an October 12 speech at the “Faith in Ferguson” rally, “I didn’t co...

This volume consists of a unique genre that is compiled from Omar Swartz’s previously published “online and otherwise small print periodicals during the years of 2001–2009” (ix). The book consists ...

This essay investigates ethical issues inherent in service learning through considering the dynamics of generative ethos, Jim Corder’s term for a process of becoming through writing. By closely examining the ethical issues involved in Phyllis Ryder’s Rhetorics for Community Action: Public Writing and Writing Publics and tracing parallels between students’ experiences in Ryder’s course and Corder’s own idea of generative ethos, this essay argues that generative ethos can offer a productive lens into understanding how students navigate the ethically tenuous territory of service learning.

According to Mary Shelley’s 1831 Introduction, her great novel is her “hideous progeny.” This proclamation along with numerous birthing metaphors place her Introduction within the obstetric discourse field of the maternal imagination, a theory which claimed that pregnant women’s imaginations had the power to deform their fetuses. More importantly, the maternal imagination, and thus Mary Shelley’s Introduction, is a form of mêtic rhetoric with a distinctly maternal flavor.

AbstractYouTube allows activists to broadcast their missions and engage global audiences. “Mother’s Day for Peace,” a 2007 video, features American actresses who recite Julia Ward Howe’s radical 1870 Mother’s Day Proclamation and describe their personal thoughts on mothering. Analyzing this video with transnational rhetoric and disability rhetoric frameworks not only illuminates the persuasive possibilities and drawbacks for the video’s normative feminine gender performance and the spectacle of a war-injured Iraqi girl but also models an approach that prompts rhetoricians to examine larger rhetorical concerns revealed by the intersections of disability, race, gender, and globalization. Notes1 I am greatly indebted to RR peer reviewers Anne Demo, who helped me sharpen my focus, and Jay Dolmage, who both illuminated the broader implications of my analysis and introduced me to Meekosha’s invaluable work. Cindy Lewiecki-Wilson, Maggie LaWare, and Jason Palmeri also provided feedback that benefited my analysis during earlier stages of this project.2 Led by President Robert Greenwald, BNF produces film projects with activist causes, addressing such issues as improving US worker safety, ending petroleum drilling, revealing the power of billionaire Koch brothers, and uncovering US military spending. Greenwald has directed and produced numerous short films with his company Brave New Films, including exposés of Fox News, Walmart, and more. BNF’s activist videos clearly showcase their intention to inspire and create change toward progressive causes.3 For the description I draw on here, see http://archive.is/0RFII. For NMV’s updated website, see http://www.nomorevictims.org/newsite/about/.4 According to holiday historian Jones, Mother’s Day has facilitated a variety of political and social action. For example, in 1933 President Roosevelt issued a proclamation on Mother’s Day that called attention to mothers and children living in poverty (216), and in 1968 Coretta Scott King led a Mother’s Day march to support poor children and their mothers (217). Regarding peace-related political action, a “Mother’s Peace Day” parade was held in 1938, and decades later in the 1980s, Helen Caldicott founded the Women’s Party for Survival, organized against nuclear arms and proliferation. The Party led demonstrations on Mother’s Day. Most recently, on May 2, 2012, supermodel Christy Turlington’s organization, Every Mother Counts, which focuses on maternal mortality, uploaded the video, “No Mothers Day,” prompting mothers to be silent and “disappear” on Mother’s Day in order to “help raise awareness about the hundreds of thousands of women who die each year from complications during pregnancy or childbirth” (see http://www.youtube.com/watch?v=x0w669fZBH8).5 Established in 2002, CodePink (http://www.codepink4peace.org/) identifies itself as a grassroots peace and social justice organization. While not exclusively, its approaches and strategies are women-initiated, women-led, and often based on traditionally feminine tropes such as the color pink.6 Attending to the massive influence of Mother’s Day as a major cultural event in the US is beyond the confines of this article, but I encourage readers to look out for activist events that coincide with the holiday.7 This photograph can be viewed online: http://www.loc.gov/pictures/item/ggb2005018835/.8 Widely available online, the full document can be read at CodePink’s website: http://www.codepinkalert.org/article.php?id=217.9 As of this writing, the site includes broken links and brief information on 2010’s International Women’s Day, another example of a lack of using YouTube’s ability to maintain a presence and further the ongoing discourse regarding Mother’s Day’s potential for antiwar activism.Additional informationNotes on contributorsAbby M. DubisarAbby M. Dubisar is an assistant professor of English and affiliate faculty member in women’s and gender studies at Iowa State University, where she teaches classes on women’s/feminist rhetoric, gender and communication, and popular culture analysis. Her research analyzes the rhetorical strategies of women peace activists in a wide variety of contexts, from archival holdings to YouTube.

AbstractThis essay examines kairos and rhetorical situation theory in relation to scientific inquiry, particularly the quantitative and interpretive components of Samuel G. Morton’s Crania Americana. Morton’s text is a flashpoint of debate on the ability of the sciences to detach themselves from their social contexts. This essay seeks to elucidate the significant political and social influences on scientific practice by examining the impact of kairos on Morton’s data analysis, and thereby to demonstrate kairos as a model for analyzing the interplay of the subjective and objective elements in processes of scientific inquiry. Notes1 I thank RR reviewers Daniel Schowalter and James Zappen for their insightful and useful guidance. I am also grateful for the tremendous helpfulness of Theresa Enos and her staff.2 See http://plum.museum.upenn.edu/˜orsa/Welcome.html.3 See studies by Lyne and Howe and by Barahona and Cachon on the rhetorical dynamics of Gould’s theory of punctuated equilibria.Additional informationNotes on contributorsDaniel ColeDaniel Cole is an assistant Professor in the Department of Writing Studies and Composition at Hofstra University. His research explores Native American rhetoric and resistance writing, especially during the era of Indian Removal. He also researches theory and practice in writing instruction.

AbstractAtom Egoyan's film Ararat advances a rhetoric of mediated mourning that counters Turkish denial of the Armenian genocide. His characters' mourning is mediated in two senses: First, it expresses itself through the production or analy‐sis of visual texts; second, those texts interpose themselves between grieving subjects and the community with whom they identify. while Ararat attempts to visualize the unquenchable urge toward consubstantiality with an ancestral collective, the movie deliberately resists absorption by discourses that render Armenian post-exiles answerable to skeptics and to privileged audiences who appropriate narratives of atrocity for personal catharsis. Notes1. 1I dedicate this essay to my father, Phillip Dwayne Carter (1952–2014). I would also like to thank RR reviewers David Blakesley and Nathaniel Rivers for their trenchant commentary, and Theresa Jarnagin Enos for her guidance and support.2. 2See Siraganian (134) and Parker (1047). What Parker sees as Egoyan's insistence on "intergenerational embrace" also enters into Saroyan's film, which dramatizes young people struggling to support suffering parents as well as parents reaching helplessly toward lost children.3. 3Davis features the quoted passage from Burke's Language as Symbolic Action in her own Inessential Solidarity (33).4. 4See Romney (171) and Torchin (9) for discussions of Spielberg's translation of Holocaust testimony into epic spectacle.5. 5Theriault describes the circumstances of Gorky's emigration in Rethinking Arshile Gorky (15). She also observes that Gorky's ensuing work tended toward abstract experimentalism, as he experienced what Georgiana Banita describes as "an ambivalent relationship to figurative painting" (93). His simultaneous practice and suspicion of figurative representation make him an especially apt ally for Egoyan, who expresses a similar attitude toward mimetic film.6. 6See Inessential Solidarity 21. Although Davis elegantly describes Burke's grounding of identity in multiple, sometimes clashing affinities, she challenges his idea of a biological individual that precedes discourse and that engages in persuasion so as to overcome its originary division from other subjects (23–25). She posits intersubjective union as a constitutive condition rather than a frustrated aspiration.7. 7The Blanchot quotation appears in The Historiographic Perversion (10). In an intriguing turn in the same work, Nichanian also refuses to describe events in Armenia as genocide. He does so, however, from a position deeply opposed to the one adopted by Ali. Nichanian details how historians have demanded copious archival testimony to support the claim of genocide, yet argues that such testimony could never encompass the horror of what took place in Van during and after 1915. Insofar as the idea of genocide makes an intellectual commodity of unrepresentable violence, he finds it inadequate to a Catastrophe that has not ended but continues in the form of concerted denial by the government whose predecessors brought it about.Additional informationNotes on contributorsChristopher CarterChristopher Carter is Associate Professor of English at the University of Cincinnati, where he serves as Composition Director. He is author of Rhetoric and Resistance in the Corporate Academy (Hampton Press, 2008) and previous editor of Workplace: A Journal for Academic Labor. His essays have appeared in Works and Days, JAC, and College English, and he has written chapters for Tenured Bosses and Disposable Teachers as well as Narrative Acts: Rhetoric, Race and Identity, Knowledge. His second book, Rhetorical Exposures: Confrontation and Contradiction in U. S. Social Documentary Photography, will be published by the University of Alabama Press in 2015.

James Berlin’s pedagogy employs generalized heuristics grounded in human agency and social-epistemic critique to enable political awareness. By contrast, actor-network theory (ANT) does not explain the composition of reality through pre-fixed heuristics but instead seeks to describe the unique composition of political objects through symmetrical accounts of human and nonhuman agency. ANT-as-pedagogy can be productively applied in the classroom to realize students’ capacities as moralists who comprehend the rhetorical difference between explanation (Berlin) and description (ANT) with regard to their political agencies as writers.

This essay discusses the competing rhetorical styles of two volumes that appeared in the 1880s to remember Abraham Lincoln. One volume, edited by Alan Thorndike Rice, remembered Lincoln in a refined-official style. A second volume, by William Herndon and Jesse Weik, captured Lincoln in a middling-vernacular style. Using automatic coding and close reading, the authors show that Herndon-Weik’s middling-vernacular style put a focus on the “personal” Lincoln. Rice’s essayists, instead, featured an “official” Lincoln set apart from the everyday man. The authors argue that these contrasts were a contributing factor to the different critical reception they received.

If bodies and discourse are always interpenetrated and mutually influencing, rhetoricians need ways to consider how it is possible to evoke embodied effects with rhetorical force via discursive tools. This article discusses how the use of somatic metaphors, metaphors crafted to revive remembered embodied experience in the mover’s consciousness, allows access to the ideological, political, and affective ties formed in the original embodied performance. Repeated exposure to this metaphoric resurrection of the past creates a kairotic awareness where remembered embodiments are viewed as potential rhetorical resources.

This article argues for a framework of material methods, a forefronted material-rhetorical approach to archival research, applying material-methodological heuristics of rhetorical accretion and proximity. The article offers an extended example of archival research undertaken at the Public Records Office of Northern Ireland (PRONI). Such heuristic content generated by a material approach is valuable in two ways. First, it offers readable layers of rhetorical accretion that deserve examination and analysis as separate texts in order to make meaning of research processes. Second, such content makes archival methods more transparent while resisting an untroubled narrative arc of our stories of research.

This article broadens rhetoric’s scope by reclaiming a space for it in drama. It reviews rhetoric’s bodily beginnings in theatre to read contemporary plays, specifically Tony Kushner’s Angels in America, as rhetorical critique. As critique, Angels enacts the relationship among language, bodies, and power via Kushner’s dramatizing of the metaphoric constructions of AIDS and ideology. The play also performs the disruption and resignification of discourses that marginalize peripheral bodies on the sociopolitical stage. Consequently, Angels adopts a sophistic approach to rhetorical critique that demonstrates language’s mutability.

An emerging area of interest for composition and rhetoric researchers concerns southern women’s rhetorical education and practices as a spate of new publications suggest, including Kimberly Harriso...

In Cicero’s great dialogue De Oratore, Antonius (one of the two main speakers) at one point delivers an instructive anecdote. I paraphrase:In his retirement Hannibal, the brilliant Carthaginian gen...

The lesson of Homer’s Iliad is that eloquence arises out of a confrontation with death. Perhaps the most dramatic of these confrontations is the death of Patroclus, an event that elicits epideictic speech by three parties: immortal horses, Xanthos and Balios; an immortal god, Zeus; and a mortal human, Patroclus. However, although the reaction of the horses and of Zeus reflect the pathos and logos of eloquence, respectively, this essay argues that true eloquence grows out of an experience of a divided self that heroically judges its own life meaningful—thereby constituting ethos through speech—in the face of death.

Jay Dolmage in Disability Rhetoric relentlessly asserts disability as a powerful and dynamic rhetorical force. As I read, I found that message sinking its way into my body as I moved through Dolmag...

AbstractArtist Andrea Desző’s embroideries, inspired by the Romanian traditional sampler, belong to the material turn in cultural and feminist studies. Based on a comparison with first-wave feminist ideas in Charlotte Perkins Gillman’s Women and Economics, this analysis interrogates what embroidery—as a form of discourse—tells about the little-known Eastern-European woman’s condition. In the region significantly different from Western Europe in both postcolonialist and post-Marxist analyses, these artifacts reveal the ambivalent condition of women situated at the intersection of tradition, feminist thought, and Marxist practice, after Marxist-led governments had provided women with a workplace and equality, at least in theory. Additional informationNotes on contributorsAdriana Cordali GradeaAdriana Gradea is a PhD candidate in English studies at Illinois State University, specializing in rhetoric and cultural theory. She graduated from “Romulus Ladea” Visual Arts High School in Cluj-Napoca, Romania. She has a BA from “Babeş-Bolyai” University, Cluj-Napoca, Romania, a Graduate Certificate in Advanced International Studies from The Johns Hopkins University in Bologna, Italy, and an MA in English from Bradley University. Her research and teaching interests are in feminist and visual rhetorics, as well as Marxism, postcolonialism, and posttotalitarian approaches.

The “Rhetoric in the Twenty-First Century: An Interactive Symposium” hosted by Centre for Medieval & Renaissance Studies (CMRS), Oxford from July 3–7, 2012, organized by James J. Murphy, Professor Emeritus of English at the University of California–Davis, and Nicholas J.Crowe, (CMRS), illustrates the resilience of rhetoric as a discipline. Rhetoric, a discipline shunned by twentieth-century Oxonians, was on full display at the conference, suggesting that twenty-first century Oxford is interested in things rhetorical. This report describes the form of the conference and the rhetorical notions advanced, discussed, and debated by the participants. The conference included important scholars of rhetoric as keynote or priming speakers: Sir Brian Vickers, Peter Mack, Jennifer Richards, and James Murphy. Enacting the spirit of rhetoric and scholastic disputation, the symposium delegates put the ideas presented by the priming speakers to the test of argumentation in planned responses to each priming speaker and in a parliamentary style debate. The symposium was deemed as success. The Oxford setting sponsored an atmosphere supportive of dialogue and civil disagreement necessary to the understanding of the rhetorical tradition’s future.