All Journals

876 articles
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March 1973

  1. Medieval Style and the Concerns of Modern Criticism
    doi:10.2307/375040

January 1973

  1. A Comparative Investigation of the Casual and Careful Oral Language Styles of Average and Superior Fifth Grade Boys and Girls
    doi:10.58680/rte197320130

October 1972

  1. The Teaching of Style
    doi:10.2307/356673

April 1972

  1. On the Improvement of the Style of Technical Writing
    Abstract

    In his paper, “Motivating Engineering Students to Publish,” Dr. Herman A. Estrin describes the experiences that he has had in teaching engineering students to write, and particularly to write publishable material. This professional approach to writing has paid off, as Mr. Millard's article demonstrates.

    doi:10.2190/cfpf-3c3c-fw9j-tbkc

February 1972

  1. Grammar as Style
    doi:10.2307/356240

November 1971

  1. A Case for the Study of Period Styles
    doi:10.58680/ce197118797

April 1971

  1. Some Shibboleths in the Teaching of Technical Writing
    Abstract

    A good many teachers of technical writing are guilty of blindly following tradition and convention in teaching students to rely on the outline as an organizing device, in categorically condemning the passive voice, in magnifying the importance of form and format, and in insisting on a set of inflexible rules for grammar and style that ignore widespread usage. Implicit in the attack on shibboleths is a plea for honest pragmatism in determining effectiveness in technical writing.

    doi:10.2190/gq9v-w76d-392u-1et1

February 1971

  1. Dices or Black Bones: Black Voices of the Seventies
    doi:10.2307/356546

January 1971

  1. Clarity in Science Writing is Not Enough
    Abstract

    It is misleading to take for granted that scientific writing need not be pleasurable reading. Aiming only for clarity, simplicity, brevity, and directness, the writer may still produce writing that is tedious reading. The student scientist or engineer may learn to write with style and creative imagination by developing sensitive critical faculties through reading literature (even scientific literature) that displays these qualities.

    doi:10.2190/jhww-jkyf-x3xp-4r1g
  2. Classical Rhetoric for the Engineering Student
    Abstract

    The revival of interest in rhetoric raises the question of the relevance of the discipline to the modern student, particularly the engineering student. In general, rhetoric can be defined as the study of language emphasizing its practical rather than its aesthetic qualities. As a theory of composition, classical rhetoric stresses writing as communication rather than self-expression, and provides a systematic method for dealing with problems of achieving cooperation among men. As a “systems approach” to composition, rhetoric is suited to the mental style of the engineering student. Moreover, engineers and scientists skilled in rhetoric would be equipped to deal with the problem of alienation between the scientific community and society at large.

    doi:10.2190/r1ph-u770-w0l0-yfqh

October 1970

  1. The Study of Style in the Composition Course
    doi:10.2307/357344

May 1970

  1. The Bamboo Style of English
    doi:10.58680/ccc197019214
  2. Stylists on Style
    doi:10.2307/356569
  3. A Quantitative Approach to Thomas Hardy’s Prose Style
    doi:10.58680/ccc197019211
  4. Teaching Style: A Possible Anatomy
    doi:10.58680/ccc197019209
  5. A Quantitative Approach to Thomas Hardy's Prose Style
    doi:10.2307/356554

May 1969

  1. Finding Your Own Voice: Teaching Composition in an Age of Dissent
    doi:10.58680/ccc196920208

February 1969

  1. Placing and Pacing: The Rhythm of Style
    doi:10.58680/ccc196920215

November 1968

  1. Tone and Voice
    doi:10.58680/ce196820720

October 1968

  1. Style and Proportion: The Language of Prose and Poetry
    doi:10.2307/356050
  2. Edward Gibbon: Linguistics, Syntax, and Style
    doi:10.58680/ccc196820904

February 1968

  1. The Strategy of Style
    doi:10.2307/355229
  2. Reviews of Books on Composition, Rhetoric, Style
    doi:10.58680/ccc196820877
  3. Voices in the Classroom: Public Schools and Public attitudes
    doi:10.2307/355249
  4. Tough, Sweet & Stuffy, an Essay on Modern American Prose Styles
    doi:10.2307/355227

January 1968

  1. Style and Anti-Style: History and Anti-History
    doi:10.58680/ce196820800

May 1967

  1. Poetic Style in the Contemporary Short Story
    doi:10.58680/ccc196720942
  2. "Style:" A Narrow View
    doi:10.2307/354286
  3. “Style:” A Narrow View
    doi:10.58680/ccc196720941

February 1967

  1. Rhetorical Considerations of Bacon's "Style"
    doi:10.2307/354490
  2. Rhetorical Considerations of Bacon’s “Style”
    doi:10.58680/ccc196720963
  3. Response to Louis Milic, “Metaphysics in the Criticism of Style”
    doi:10.58680/ccc196720968
  4. Response to Louis Milic, "Metaphysics in the Criticism of Style"
    doi:10.2307/354495

November 1966

  1. From Style to Meaning in "Araby": Reply
    doi:10.2307/374308
  2. From Style to Meaning in "Araby"
    doi:10.2307/374307

October 1966

  1. Some Thoughts on Lincoln's Style
    doi:10.2307/354425
  2. Metaphysics in the Criticism of Style
    doi:10.58680/ccc196621032
  3. Some Thoughts on Lincoln’s Style*
    doi:10.58680/ccc196621031
  4. Peter Mark Roget: Style as Symptom
    doi:10.58680/ccc196621034

March 1966

  1. Content and Style in The Red Badge of Courage
    doi:10.58680/ce196623225

January 1966

  1. The English Composition Sequence: Vertical Style
    doi:10.2307/373052
  2. Round Table: The English Composition Sequence: Vertical Style
    doi:10.58680/ce196623312

December 1965

  1. Faulkner's Poetic Prose: Style and Meaning in The Bear
    doi:10.2307/373116
  2. Syntax and Style: Ambiguities in Lawrence’s Twilight in Italy
    doi:10.58680/ccc196521112
  3. Syntax and Style: Ambiguities in Lawrence's "Twilight in Italy"
    doi:10.2307/355204
  4. An Annotated Bibliography of Selected Writings on English Prose Style
    doi:10.58680/ccc196521110

May 1965

  1. Mill’s “Autobiography”—the Public and the Private Voice
    doi:10.58680/ccc196521079
  2. Language, Style, Ideas: The Writer's Challenge
    doi:10.2307/354891
  3. Mill's "Autobiography". The Public and the Private Voice
    doi:10.2307/354883
  4. Theories of Style and Their Implications for the Teaching of Composition
    doi:10.58680/ccc196521073