Abstract

In this article, I explore normative assumptions regarding multimodality from the perspective of disability studies, and focus particularly on how coherence and wholeness work in disciplinary conversations and professional statements. I offer a reading of the hybrid graphic-written text The Ride Together as a way to resist these normative impulses and to explore a different kind of wholeness at work in the interaction between text and image. I argue for appreciating the rhetorical strategy of dis-closure, which I define as occurring when disability frustrates the normative expectations of multimodal, compositional, and narrative closure in productive and generative ways. I analyze multimodal collaboration and revision in The Ride Together , arguing that insights from comics studies, together with an appreciation of dis-closure, present alternatives to the limiting disciplinary focus on coherence and wholeness.

Journal
Composition Forum
Published
2018
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