Disney Death Tour

Abstract

Jason Crider and Kenny Anderson construct a digital MEmorial (Ulmer, 2005) commemorating those who have died at Walt Disney World as a means of investigating the intersections of hypermediated corporate spaces and place-based opportunities for civic rhetorics. Digitally augmenting the monumental aspects of Disney World offers readers of the webtext and visitors to the park a reconsideration of how individual, public, and historical experiences contribute to context-dependent collaborative compositions of space.

Journal
Kairos: A Journal of Rhetoric, Technology, and Pedagogy
Published
2019-01
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