Abstract
Book Reviews 227 compelling theoretically, the case study did not fully examine the implications of the project's reliance on homonormativity. Bessette concludes with two provocations for the future of queer retroactivism. First, she argues that a near-future task may be to challenge the centrality of corporations in digital media production. And second, she follows Carla Freccero in noting that the hauntological past must be heard, on its own terms. Bessette's work with a variety of grassroots lesbian archives is an engaging read and offers a useful approach to historical scholarship. But I felt that she did not spend enough time parsing out the affordances and limitations of grassroots archives in relation to their institutional counterparts. Fittingly, Bessette's most important insight is her notion of retroactivism, a concept that can hopefully open up more space for reconsidering archival identification, queer or otherwise, into the future. Morgan DiCesare University of Iowa Peter A. O'Connell, The Rhetoric of Seeing in Attic Forensic Oratory. Austin: University of Texas Press, 2017, 282 pp. ISBN 9781477311684 The close connections between rhetorical and theatrical performance as two of the major types of civic spectacle in Classical Athens are well esta blished, but we are hampered by the fact that our knowledge of courtroom practice is largely dependent on the surviving texts of the speeches. Unlike their Roman counterparts, the surviving fourth-century Greek treatises have little to say about delivery or about the type of spectacular effects alluded to in Attic comedy and in the speeches themselves, which creates a challenge to the modem researcher. Peter O'Connell's book, based on his PhD disser tation, is one of several recent studies to take up that challenge1 and is dis tinguished by its focus on sight and visual effects in Athenian trials. O'Connell's book stands out for its focus on the role of vision, both physical and mental, and metaphors of sight in forensic oratory (with a brief foray into the funeral oration). It makes an important contribution to the study of vivid language and visual effects as an integral part of the process of persuasion and underlines the continuing importance of these tools through modem comparisons. The author's solution to the lack of theoretical discussions contemporary with the speeches is to draw principally on an impressively wide range of ancient speeches, giving close readings of ^ee, for example, N. Villaceque, Spectateurs de Paroles: Deliberation democratique et theatre a Athenes a Vepoque classique (Rennes: Presses Universitaires de Rennes, 2013) and A. Serafim, Attic Oratory and Performance (London : Routledge, 2017). 228 RHETORICA selected passages (summaries of all the speeches discussed are given in an invaluable appendix). The astute close readings of these passages are supple mented by appeals - made with all due caution — to the critical and theoreti cal discussions of the Hellenistic and Roman periods. The result sheds a new light on the functioning of judicial oratory as a multi-sensory persuasive per formance, though the nature of the material inevitably raises some questions. All the major passages are quoted in the Greek and in the author's own English versions. The choice of a very literal translation style serves to clarify the sense of the words discussed but at the occasional cost of fluidity. The first of the book's three parts asks what was visible to the jury within the courtroom, analysing passages that comment on the impact of the presence and physical appearance of the various parties to the case in the courtroom and of material evidence. Against the background of the close association of vision and knowledge in the Greek language, the second section analyses the importance of vision and of metaphors of vision in Athenian law, forensic oratory, and, beyond the courts, in classical Greek philosophical and medical texts. It is here that O'Connell, through citations from Sophists such as Protagoras, Antiphon, and Gorgias, raises the vital epis temological question of how juries could decide upon events they had not themselves witnessed. This is backed up by an illuminating analysis of the lan guage of visibility in Antiphon and in Gorgias' Defense of Palamedes, which explores the challenge of proving the non-existence...
- Journal
- Rhetorica
- Published
- 2020-03-01
- DOI
- 10.1353/rht.2020.0021
- CompPile
- Search in CompPile ↗
- Open Access
- Closed
- Topics
- Export
- BibTeX RIS
Citation Context
Cited by in this index (0)
No articles in this index cite this work.
Cites in this index (0)
No references match articles in this index.
Related Articles
-
Rhetoric & Public Affairs Sep 2022Christopher Tindale
-
Philosophy & Rhetoric Nov 2019Michael William Pfau
-
Philosophy & Rhetoric Jun 2012Stephen Howard Browne
-
Philosophy & Rhetoric Apr 2025Peter A. O’Connell
-
Philosophy & Rhetoric Sep 2024Joshua Hananmodern rhetorical theory rhetorical criticism composition theory genre theory discourse analysis cultural rhetorics argument qualitative research quantitative research digital rhetoric social media grammar and mechanics gender and writing disability studies public rhetoric affect and writing body and rhetoric editorial matter