Rhetoric and Poetic in Milton’s Polemics of 1659–60

James Egan

doi:10.1353/rht.2013.0030

Rhetorica Jan 2013

Rhetoric and Poetic in Milton’s Polemics of 1659–60

James Egan

Abstract

Recurring features of Miltonic rhetoric during the 1640s include the structural patterns of the oration and the animadversion, widespread deployment of the classical high, low, and middle styles, and an epideictic mode of praise and blame. Equally noteworthy is the close relationship of rhetoric and poetic. These features can be used as a template to characterize Milton’s work in 1659–60, his final period as a political controversialist. Five texts make up this period: Civil Power (1659), Likeliest Means (1659), two editions of The Readie Way (1660), and Brief Notes (1660). In 1659–60 the oration remains Milton’s preferred form of public, inaugural address, yet traces of the Puritan sermon can also be found. As he had done in the 1640s, Milton later relied on the classical low style for argument, documentation, and narration. The poetic qualities of Miltonic polemic are as evident in 1659–60 as they had been in the 1640s. The well-developed mimetic identity of the second edition of The Readie Way represents a sophistication of the localized mimesis of the 1640s.

Journal: Rhetorica
Published: 2013-01-01
DOI: 10.1353/rht.2013.0030
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Open Access: Closed
Topics: classical rhetoric rhetorical criticism
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Rhetoric and Poetic in Milton’s Polemics of 1659–60

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