Recurring features of Miltonic rhetoric during the 1640s include the structural patterns of the oration and the animadversion, widespread deployment of the classical high, low, and middle styles, and an epideictic mode of praise and blame. Equally noteworthy is the close relationship of rhetoric and poetic. These features can be used as a template to characterize Milton's work in 1659–60, his final period as a political controversialist. Five texts make up this period: Civil Power (1659), Likeliest Means (1659), two editions of The Readie Way (1660), and Brief Notes (1660). In 1659–60 the oration remains Milton's preferred form of public, inaugural address, yet traces of the Puritan sermon can also be found. As he had done in the 1640s, Milton later relied on the classical low style for argument, documentation, and narration. The poetic qualities of Miltonic polemic are as evident in 1659–60 as they had been in the 1640s. The well-developed mimetic identity of the second edition of The Readie Way represents a sophistication of the localized mimesis of the 1640s.

Recurring features of Miltonic rhetoric during the 1640s include the structural patterns of the oration and the animadversion, widespread deployment of the classical high, low, and middle styles, and an epideictic mode of praise and blame. Equally noteworthy is the close relationship of rhetoric and poetic. These features can be used as a template to characterize Milton’s work in 1659–60, his final period as a political controversialist. Five texts make up this period: Civil Power (1659), Likeliest Means (1659), two editions of The Readie Way (1660), and Brief Notes (1660). In 1659–60 the oration remains Milton’s preferred form of public, inaugural address, yet traces of the Puritan sermon can also be found. As he had done in the 1640s, Milton later relied on the classical low style for argument, documentation, and narration. The poetic qualities of Miltonic polemic are as evident in 1659–60 as they had been in the 1640s. The well-developed mimetic identity of the second edition of The Readie Way represents a sophistication of the localized mimesis of the 1640s.

Abstract Milton's regicide tracts of 1649, The Tenure, Observations, and Eikonoklastes, are recombinations of two of his most familiar compositional modes of the 1640s, the oration and the animadversion, tactics derived ultimately from classical rhetorical theory and Renaissance assimilations of it. Each tract also displays a poeticized rhetoric which represents Milton's signature adaptation of the close relationship between rhetoric and poetic found in classical and Renaissance rhetorical texts. Evidence for these claims can be found in the structures, styles, and aesthetic manifestations of all three pamphlets, particularly the classical low and middle styles, the formulaic mechanism of quotation and reply, and the prose genre of the Character.

Milton’s regicide tracts of 1649, The Tenure, Observations, and Eikonoklastes, are recombinations of two of his most familiar compositional modes of the 1640s, the oration and the animadversion, tactics derived ultimately from classical rhetorical theory and Renaissance assimilations of it. Each tract also displays a poeticized rhetoric which represents Milton’s signature adaptation of the close relationship between rhetoric and poetic found in classical and Renaissance rhetorical texts. Evidence for these claims can be found in the structures, styles, and aesthetic manifestations of all three pamphlets, particularly the classical low and middle styles, the formulaic mechanism of quotation and reply, and the prose genre of the Character.