Abstract

r he three essays that follow offer readings of one of the most popular and l widely known rhetorical performances of recent times, the Earl of Spencer's 1997 funeral eulogy for his sister Diana, Princess of Wales (text reproduced in Appendix). Each section of the paper offers a reading of the address through a critical lens derived from the rhetorical theory of a different canonical theorist, respectively (and chronologically) George Campbell, Richard Whately, and Chaim Perelman and Lucie Olbrechts-Tyteca. Three questions animate this project. The first concerns the relationship of theory to criticism. Neither Campbell, Whately, nor the Belgians discusses the role of rhetorical criticism or offers an apparatus that facilitates it, although each of their theories includes tenets applicable to criticism. How well do their theoretical tenets work at the level of criticism; do any of these theorists introduce concepts that analysis of rhetorical practice might challenge? The second question concerns influence. The three theorists we chose are particularly interesting from this perspective because all of them, to varying degrees, are selfconscious about their debts to the rhetorical tradition. Campbell cites and affirms the contributions of Aristotle, Cicero, and Quintilian, Whately incorporates Campbell, and the Belgians incorporate Whately incorporating Campbell. What is the nature of this influence? Are the differences among these theorists differences of perspective or of emphasis? We are aware of the complexities surrounding the question of influence since it was broached by T.S. Eliot in Tradition and the Individual Talent, subsequently complicated by Harold Bloom, and more recently challenged by Michel Foucault. Our purpose is not to arbitrate these quite different views (which raise their own questions about the nature of influence) but to prompt a discussion of the nature of influence within the rhetorical tradition. The third question concerns the idea of progress in rhetorical theory. In what sense can each of the theorists be said to have made an advance over his predecessors? Does rhetorical theory progress as science typically progresses, by making obsolete that which it builds on? Or does rhetoric resemble philosophy, a discipline in which responses to a relatively constant problem set seem to benefit from their predecessors' work without replacing it?