Abstract

ABSTRACT Dance and music serve in this essay to exemplify both the looping entanglement of art and life as well as the account of art and philosophy developed in Strange Tools. This essay replies to criticisms of Carrie Noland, Nancy S. Struever, and Thomas Rickert and also offers a briefer restatement of the general approach.

Journal
Philosophy & Rhetoric
Published
2021-03-12
DOI
10.5325/philrhet.54.1.0063
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References (19) · 1 in this index

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