“Not Theory, Thought”: Collingwood's Early Work on Art

Nancy S. Struever Johns Hopkins University

Abstract

ABSTRACT R. G. Collingwood's strong, early, inventive interests in aesthetic experience and art activity were of fundamental importance to his lifelong engagement with philosophy and his critique of the available “academic” philosophies. And his work finds reinforcement in the current speculations in the philosophy of art of Alva Noë.

Journal
Philosophy & Rhetoric
Published
2020-02-21
DOI
10.5325/philrhet.53.1.0021
CompPile
Search in CompPile ↗
Open Access
Closed
Export

Citation Context

Cited by in this index (1)

  1. Philosophy & Rhetoric

References (22)

  1. Clark, T. J. 2013. “Lucky Hunter-Gatherers.” London Review of Books, 21 Mar., 11–12.
  2. Collingwood, R. G. 1913–14. “Aristotle's De anima. Translation and Commentary.” Bodleian Library Collingwood …
  3. Collingwood, R. G. 1920. “Libellus de Generatione: An Essay in Absolute Empiricism.” Bodleian Library Colling…
  4. Collingwood, R. G. 1920–34. Letters to Guido Ruggiero. Bodleian Library Collingwood Papers, dep. 27.
  5. Collingwood, R. G. 1924. Speculum mentis, or The Map of Knowledge. Oxford: Oxford University Press.
Show all 22 →
  1. Collingwood, R. G. [1924] 2005. “Philosophy of Art.” delivered T[rinity] T[erm], 1924. Bodleian Library Colli…
  2. Collingwood, R. G. 1925. Outlines of a Philosophy of Art. Oxford: Oxford University Press.
  3. Collingwood, R. G. 1925–38. Six Letters to Samuel Alexander. Bodleian Library Collingwood Papers, dep. 26/1.
  4. Collingwood, R. G. [1931] 2005. “Aesthetic Theory and Artistic Practice.” British Institute. Bodleian Library…
  5. Collingwood, R. G. 1938. The Principles of Art. Oxford: Oxford University Press.
  6. Collingwood, R. G. 1939. Autobiography. Introduction by S. Toulmin. Oxford: Oxford University Press.
  7. Collingwood, R. G. n.d. “Confusion of Sense.” Bodleian Library Collingwood Papers, dep. 16/10.
  8. De Libera, Alain. 1999. “Le Relativisme historique: Théorie des ‘Complexes Questions-Réponse et Traçabilité.”…
  9. Dockhorn, Klaus. 1968. “Epoche, Fuge, und Imitatio.” In Macht und Wirkung der Rhetorik, 105–68. Berlin.
  10. Imbert, Claude. 1980. “Stoic Logic and Alexandrian Poetics.” In Doubt and Dogmatism: Studies in Hellenistic E…
  11. Koerner, Joseph. 2009. Caspar David Friedrich and the Subject of Landscape. 2nd ed. London: Reaktion.
  12. Noë, Alva. 2004. Action in Perception. Cambridge, MA: MIT Press.
  13. Noë, Alva. 2015. Strange Tools: Art and Human Nature. New York: Hill & Wang.
  14. Pippin, Robert. 2014. After the Beautiful: Hegel and the Philosophy of Modernism. Chicago: University of Chic…
  15. Porter, James I. 2010. Origins of Aesthetic Thought in Ancient Greece. Cambridge: Cambridge University Press.
  16. Ruskin, John. n.d. “Imagination Penetrative.” In Modern Painters, vol. 2: Of Truth and Theoretic Faculties, 4…
  17. Solère, Jean-Luc. 2003. “Les images psychiques selon S. Augustin.” Collection d'Études Classiques 17: 103–56.