-
Collingwood, R. G. [1924] 2005. “Philosophy of Art.” delivered T[rinity] T[erm], 1924. Bodleian Library Colli…
-
Collingwood, R. G. 1925. Outlines of a Philosophy of Art. Oxford: Oxford University Press.
-
Collingwood, R. G. 1925–38. Six Letters to Samuel Alexander. Bodleian Library Collingwood Papers, dep. 26/1.
-
Collingwood, R. G. [1931] 2005. “Aesthetic Theory and Artistic Practice.” British Institute. Bodleian Library…
-
Collingwood, R. G. 1938. The Principles of Art. Oxford: Oxford University Press.
-
Collingwood, R. G. 1939. Autobiography. Introduction by S. Toulmin. Oxford: Oxford University Press.
-
Collingwood, R. G. n.d. “Confusion of Sense.” Bodleian Library Collingwood Papers, dep. 16/10.
-
De Libera, Alain. 1999. “Le Relativisme historique: Théorie des ‘Complexes Questions-Réponse et Traçabilité.”…
-
Dockhorn, Klaus. 1968. “Epoche, Fuge, und Imitatio.” In Macht und Wirkung der Rhetorik, 105–68. Berlin.
-
Imbert, Claude. 1980. “Stoic Logic and Alexandrian Poetics.” In Doubt and Dogmatism: Studies in Hellenistic E…
-
Koerner, Joseph. 2009. Caspar David Friedrich and the Subject of Landscape. 2nd ed. London: Reaktion.
-
Noë, Alva. 2004. Action in Perception. Cambridge, MA: MIT Press.
-
Noë, Alva. 2015. Strange Tools: Art and Human Nature. New York: Hill & Wang.
-
Pippin, Robert. 2014. After the Beautiful: Hegel and the Philosophy of Modernism. Chicago: University of Chic…
-
Porter, James I. 2010. Origins of Aesthetic Thought in Ancient Greece. Cambridge: Cambridge University Press.
-
Ruskin, John. n.d. “Imagination Penetrative.” In Modern Painters, vol. 2: Of Truth and Theoretic Faculties, 4…
-
Solère, Jean-Luc. 2003. “Les images psychiques selon S. Augustin.” Collection d'Études Classiques 17: 103–56.