Medieval Rhetoric and the <i>Commedia</i>

Michelle Bolduc Héritage et Création dans le Texte et l'Image

Abstract

Survey courses on the history of rhetoric, especially as taught in American universities, often concentrate on classical and modern rhetoric, neglecting the way in which rhetoric was understood during the Middle Ages. This essay offers the teacher of the history of rhetoric a pedagogical answer to the question of how to incorporate medieval rhetoric within courses on the history of rhetoric, by providing a close reading of three symmetrical cantos of Dante’s Commedia that are specifically concerned with the ethics of persuasive discourse.

Journal
Pedagogy
Published
2013-01-01
DOI
10.1215/15314200-1814170
Open Access
Closed
Topics

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Also cites 9 works outside this index ↓
  1. Dante and the Lyric Past
  2. Defining Medieval Rhetoric
  3. Rhetoric, Hermeneutics, and Translation in the Middle Ages: Academic Traditions and Verna…
  4. Cortes’ Amor in Medieval Texts
    Speculum  
  5. A Poetics of Chaos and Harmony
  6. Writing like God, or Better? Symmetries in Dante’s 26th and 27th Cantos
    Italica  
  7. Canto XXVI: Ulysses: Persuasion versus Prophecy
  8. Unwritten between the Lines: The Unspoken History of Rhetoric
  9. In Defence of Rhetoric
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