Abstract

The aftermath of events on September 11, 2001 shows the importance of film, television, and other electronic media in constructing our political realities. Soon the Bush administration was working with Hollywood screenwriters to help anticipate possible targets and scenarios for further terrorist atrocities. Yet the main Hollywood contributions had come earlier, even before September 11, through popular films. These let American audiences experience acts of political terrorism in vicarious, virtual, symbolical, and other modes. 1 Now, in response to the dramatic escalation of terrorist attacks on U.S. institutions, Americans can call on cinematic prefigurations of terrorist strategies, the movements and states that use them, the regimes that support them, and the politics that reply to them.