Abstract
Scholarship addressing Burke’s ideas about acceptance and rejection frames is commonplace in modern academia. Often lost in the discussion, however, is the sheer power of Burke’s description of the comic frame. Using the first season of the American television program The Office as its object, this essay hopes to explore the implications of Burke’s vision of the comic for the modern, white-collar, corporate work environment. In highlighting Burke’s notion of comedy as essentially humane, it attempts to demonstrate, through The Office , the importance of this underlying attitude with regard to public discussion, debate, and critique. The essay highlights the tension between corporate tedium and financial necessity and grapples with the consequences of acceptance and rejection frames. It seeks to place to the attitude behind Burke’s notion of the comic at the forefront of public debate and offer a specific example of the relevance and power that such an attitude can possess.
- Journal
- KB Journal: The Journal of the Kenneth Burke Society
- Published
- 2010-09
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