Computers and Composition Sep 2015 Open Access

Glenn Gould and the Rhetorics of Sound

Jonathan Alexander
Journal
Computers and Composition
Published
2015-09-01
DOI
10.1016/j.compcom.2015.06.004
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Cited by in this index (6)

  1. Schicke et al. (2025)
    The band feeling: getting intentional about soundwriting and sonic rhetorics
    Computers and Composition
  2. Butler (2025)
    An Even Better “View” of Sound: Embodied Sonic Rhetorics and Sound Detectives
    Rhetoric Society Quarterly
  3. Alexander (2023)
    Reconceptualizing literacy: Experimentation and play in audio literacy narratives
    Computers and Composition
  4. Rowell et al. (2019)
    “I could get lit to Madonna:” Soundscapes & the First Year Writer’s Composing Process
    Computers and Composition
  5. Adams (2018)
    Aristotle’s Cough: Rhetoricity, Refrain, and Rhythm in Minimalist Music
    Rhetoric Society Quarterly
Show all 6 →
  1. Hawk (2018)
    Sound: Resonance as Rhetorical
    Rhetoric Society Quarterly

References (41) · 9 in this index

  1. Bakhtin (1981)
    The Dialogic Imagination: Four Essays
  2. Bazzana (1997)
    Glenn Gould: The Performer in the Work
  3. Butler (2005)
    Giving an Account of Oneself
  4. Comstock (2006)
    Voice in the cultural soundscape: Sonic literacy in composition studies
    Computers and Composition Online
  5. Davis (2011)
    Writing with sound
    Currents in Electronic Literacy
Show all 41 →
  1. Duffy (2005)
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  2. Gould, Glenn. (1984a). “Radio as music: Glenn Gould in conversation with John Jessop.” The Glenn Gould Reader…
  3. Gould, Glenn. (1984b). “The grass is always greener in the outtakes: An experiment in listening.” The Glenn G…
  4. Gould, Glenn. (1984c). “The idea of north: An introduction.” The Glenn Gould Reader (pp. 391–393). New York, …
  5. Gould, Glenn. (1984d). “The Prospects of Recording.” The Glenn Gould Reader (pp. 331–352). New York: Vintage.
  6. Gould (1992)
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  7. Halbritter (2004)
    Sound arguments: Aural rhetoric in multimedia composition
  8. Hecker (2008)
    Glenn Gould, the vanishing performer and the ambivalence of the studio
    Leonardo Music Journal  ↗
  9. Halbritter (2006)
    Musical rhetoric in integrated-media composition
    Computers and Composition
  10. Hesse (2010)
    Interchanges: Response to Cynthia L. Selfe’s “The Movement of Air, the Breath o…
    College Composition and Communication
  11. Hocks (2003)
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    College Composition and Communication
  12. Kostelanetz (1988)
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  13. Kristeva (1984)
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  14. Mauer (2010)
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  15. McKee (2006)
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    Computers and Composition
  16. McNelly (1996)
    Listening, nordicity, community: Glenn Gould's “The idea of north.”
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  17. Mosher (2007)
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  18. Neumark (2010)
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  19. (2010)
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  20. New London Group (1996)
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  21. Norman (2012)
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  22. Norman (2013)
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    Journal of Sonic Studies
  23. Ong (1960)
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  24. Palmeri (2012)
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  25. Rickert et al. (2006)
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    Computers and Composition
  26. Rhodes (2012)
    Experience, embodiment, excess: Multimedia[ed] [e]visceration and installation rhetoric
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  27. Said (2008)
    Glenn Gould, the virtuoso as intellectual
    Music at the Limits
  28. Salvaggio (1999)
    The sounds of feminist theory
  29. Sanden (2009)
    Hearing Glenn Gould's body: Corporeal liveness in recorded music
    Current Musicology
  30. Selfe (2009)
    The Movement of Air, the Breath of Meaning: Aurality and Multimodal Composing
    College Composition and Communication
  31. Selfe, Cynthia. (n.d.). The movement of air, the breath of meaning: Aurality and multimodal composing. Retrie…
  32. (1999)
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  33. Shankar (2006)
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  34. Shipka (2006)
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    Computers and Composition
  35. Sirc (2011)
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    Currents in Electronic Literacy
  36. Weagel (2011)
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