Cited by in this index (9)

1. Rowell et al. (2019)
   “I could get lit to Madonna:” Soundscapes & the First Year Writer’s Composi…
   Computers and Composition
2. Colton (2016)
   Revisiting Digital Sampling Rhetorics with an Ethics of Care
   Computers and Composition
3. Stedman (2012)
   Remix Literacy and Fan Compositions
   Computers and Composition
4. Brown (2012)
   Composition in the Dromosphere
   Computers and Composition
5. Basgier (2011)
   The Author-Function, The Genre Function, and The Rhetoric of Scholarly Webtexts
   Computers and Composition

Show all 9 →

1. Laquintano (2010)
   Manufacturing Scarcity: Online Poker, Digital Writing, and the Flow of Intellec…
   Computers and Composition
2. Dubisar et al. (2010)
   Palin/Pathos/Peter Griffin: Political Video Remix and Composition Pedagogy
   Computers and Composition
3. Lundin (2008)
   Teaching with Wikis: Toward a Networked Pedagogy
   Computers and Composition
4. Johnson-Eilola et al. (2007)
   Plagiarism, originality, assemblage
   Computers and Composition

Cites in this index (2)

1. Rice (2003)
   The 1963 Hip-Hop Machine: Hip-Hop Pedagogy as Composition
   College Composition and Communication
2. Connors (1999)
   The rhetoric of citation systems—Part II: Competing epistemic values in citation
   Rhetoric Review

Also cites 5 works outside this index ↓

1. Armstrong (2004)
   Eminem's construction of authenticity
   Popular Music and Society  ↗
2. Cambell vs. Acuff-Rose Music, Inc., 510 U.S. 569 (1994).
    ↗
3. Hess (2005)
   Hip-hop realness and the white performer
   Critical Studies in Media Communication  ↗
4. Porcello (1991)
   The ethics of digital audio sampling: Engineer's discourse
   Popular Music  ↗
5. Schumaker (1995)
   ‘This is a sampling sport’: Digital sampling, rap music, and the law in cultural production
   Media, Culture, and Society  ↗