-
Blum (2009)
My word!: Plagiarism and college culture
-
Boisvert, Anne-Marie. (2003). On bricolage: Assembling culture with whatever comes to hand. HorizonZero 8. Re…
-
Bonds (1991)
Wordless rhetoric: Musical form and the metaphor of the oration
-
Busse (2006)
Introduction: Work in progress
Fan fiction and fan communities in the age of the internet
-
Carroll (2002)
Rehearsing new roles: How college students develop as writers
-
Carter (2008)
The way literacy lives: Rhetorical dexterity and basic writing instruction
-
CCCCReviews /2010TOC. (2010). Kairos 15(1). Retrieved from http://www.technorhetoric.net/pmwiki/pmwiki.php/CC…
-
Center for Social Media. (2010). Fair use. Retrieved from http://www.centerforsocialmedia.org/fair-use.
-
Children of the Monkey Machine. (2002, September 10). PlasticGoddess. OverClocked ReMix. [Audio file]. Retrie…
-
Coppa, Francesca. (2008). Women, Star Trek, and the early development of fannish vidding. Transformative Work…
-
Davis (2010)
Remix, play, and remediation: Undertheorized composing practices
Writing and the digital generation: Essays on new media rhetoric
-
Derecho (2006)
Archontic literature: A definition, a history, and several theories of fan fiction
Fan fiction and fan communities in the age of the internet
-
DeVoss et al. (2002)
Computers and Composition
-
DeVoss et al. (2008)
Computers and Composition
-
Dubisar et al. (2010)
Computers and Composition
-
Elbow, Peter. (1998). Collage: Your cheatin’ art. Writing On the Edge 9(1), 26-40. Retrieved from http://scho…
-
Foucault, Michel. (1979). What is an author? (Josué V. Harari, Trans.). In Josué V. Harari (Ed.), Textual str…
-
Frequently asked questions. (n.d.) OverClocked ReMix. Retrieved from http://ocremix.org/info/Frequently_Asked…
-
Goldsmith (2006)
The bride stripped bare: Nude media and the dematerialization of Tony Curtis
New media poetics: Contexts, technotexts, and theories
-
Halc. (2010, May 14). Workshop discussion and guidelines (read before posting!). OverClocked ReMix. [Online f…
-
Hellekson, Karen, & Busse Kristina. (2009, December 5). Fan privacy and TWC's editorial practice. Organizatio…
-
Hess (2006)
Computers and Composition
-
Howard (1999)
The new abolitionism comes to plagiarism
Perspectives on plagiarism and intellectual property in a postmodern world
-
IP Reports. (2010). Conference on College Composition and Communication. Retrieved from http://www.ncte.org/c…
-
Jenkins, Henry, Clinton, Katie, Purushotma, Ravi, Robison, Alice J., & Weigel, Margaret. (2006). Confronting …
-
Jenkins (2006)
Fans, bloggers, and gamers: Exploring participatory culture
-
Johnson-Eilola et al. (2007)
Computers and Composition
-
The judging process - *A new focus*. (2009, June 28). OverClocked ReMix. [Online forum comment]. Retrived fro…
-
Katz (1996)
The epistemic music of rhetoric: Toward the temporal dimension of affect in reader response and writing
-
Kessler, Ari, Button, Keith Maxwell, Skinner, Marshall, & Olarin. (2009, November 5). Exodus to sanctuary. Ov…
-
Kopelson (2008)
College Composition and Communication
-
Lanier (2010)
You are not a gadget: A manifesto
-
Lankshear, Colin, and Michele Knobel. (2007, May 13). Digital remix: The art and craft of endless hybridizati…
-
Lessig (2008)
Remix: Making art and commerce thrive in the hybrid economy
-
Lethem, Jonathan. (2007, February). The ecstasy of influence: A plagiarism. Harper's Magazine, 314 (1881). Re…
-
Littleton_pace. (2010, March 17). Chasing fate – PBJ [Video file]. Lost video island. Retrieved from http://l…
-
Manovich (2001)
The language of new media
-
McCutchan (1999)
The muse that sings: Composers speak about the creative process
-
(2007)
Digital writing research: Technologies, methodologies, and ethical issues
-
McKee et al. (2008)
College Composition and Communication
-
Miller, Paul D, aka DJ Spooky that Subliminal Kid. (2004). Rhythm science. Cambridge, MA: MIT Press.
-
Mittell, Jason. (2009). Sites of participation: Wiki fandom and the case of Lostpedia. Transformative Works a…
-
Morris (2006)
New media poetics: As we may think/how to write
New media poetics: Contexts, technotexts, and theories
-
Murray (2009)
Non-discursive rhetoric: Image and affect in multimodal composition
-
Navas, Eduardo. (2010). Regressive and reflexive mashups in sampling culture. In Stefan Sonvilla-Weiss (Ed.),…
-
Neskvartetten. (2004, August 15). Ganon's temple. OverClocked ReMix. [Audio file]. Retrieved from http://ocre…
-
Remix…Redux 8: Magic 8 Ball. (2010, February 8). Archive of our own. Retrieved from http://archiveofourown.or…
-
Ridolfo, Jim, & DeVoss, Dànielle Nicole. (2009). Composing for recomposition: Rhetorical velocity and deliver…
-
Rife et al. (2010)
Computers and Composition
-
Salzman, Star. (2003, May 21). TheIncredibleSingingRobot. OverClocked ReMix. [Audio file]. Retrieved from htt…
-
Selenak. (2009, June 22). Fear no more (the may-december remix). LiveJournal. Retrieved from http://community…
-
Selenak. (2009, July 26). Fear no more (Star Trek: Deep Space Nine, fanfiction). Selenak's Journal. Retrieved…
-
Sellnow (1993)
John Corigliano's “Symphony No. 1” as a communicative medium for the AIDS crisis
-
Shields (2010)
Reality hunger: A manifesto
-
Slash. (2010, November 13). Fanlore. Retrieved from http://fanlore.org/wiki/Slash.
-
Sohn (2006)
Whistlin’ and crowin’ women of Appalachia: Literacy practices since college
-
Sorapure, Madeleine. (2003). Five principles of new media: Or, playing Lev Manovich. Kairos 8(2). Retrieved f…
-
Stasi (2006)
The toy soldiers from leeds: The slash palimpsest
Fan fiction and fan communities in the age of the internet
-
Stefans (2006)
Toward a poetics for circulars
New media poetics: Contexts, technotexts, and theories
-
Submission Standards and Instructions. (n.d.) OverClocked ReMix. Retrieved from http://ocremix.org/info/Submi…
-
SurveyFail. (2010, September 16). Fanlore. Retrieved from http://fanlore.org/wiki/SurveyFail.
-
Tanz, Jason. (2010). Remix culture. Wired, 18(10). Retrieved from http://www.wired.com/magazine/2010/09/ff_wi…
-
Thomas, David, Orland, Kyle, & Steinberg, Scott. (2007). The videogame style guide and reference manual. Retr…
-
(2010)
Writing and the digital generation
-
The VIP Room. (n.d.) Remixers’ lounge. Retrieved from http://community.livejournal.com/remixers_lounge/.
-
Welcome to LVI! (n.d.) Lost video island. Retrieved from http://lostvideo.net/.
-
(2009)
Composition & copyright: Perspectives on teaching, text-making, and fair use
-
Williams (2009)
Shimmering literacies: Popular culture and writing online