Cited by in this index (3)

1. Grant (2025)
   “Canon” and “fanon” in the danny phantom/detective comics (DC) comics crossover…
   Computers and Composition
2. Wuebben (2016)
   Getting Likes, Going Viral, and the Intersections Between Popularity Metrics an…
   Computers and Composition
3. Edwards (2016)
   Framing Remix Rhetorically: Toward A Typology of Transformative Work
   Computers and Composition

Cites in this index (8)

1. Rife et al. (2010)
   Introduction: Copyright, Culture, Creativity, and the Commons
   Computers and Composition
2. Dubisar et al. (2010)
   Palin/Pathos/Peter Griffin: Political Video Remix and Composition Pedagogy
   Computers and Composition
3. Kopelson (2008)
   Sp(l)itting Images; or, Back to the Future of (Rhetoric and?) Composition
   College Composition and Communication
4. McKee et al. (2008)
   The Ethics of Digital Writing Research: A Rhetorical Approach
   College Composition and Communication
5. DeVoss et al. (2008)
   Media Convergence: Grand Theft Audio: Negotiating Copyright as Composers
   Computers and Composition

Show all 8 →

1. Johnson-Eilola et al. (2007)
   Plagiarism, originality, assemblage
   Computers and Composition
2. Hess (2006)
   Was Foucault a plagiarist? Hip-hop sampling and academic citation
   Computers and Composition
3. DeVoss et al. (2002)
   “It wasn’t me, was it?” Plagiarism and the Web
   Computers and Composition

Also cites 2 works outside this index ↓

1. Behar (2007)
   Ethnography in a time of blurred genres
   Anthropology and Humanism  ↗
2. Sellnow (1993)
   John Corigliano's “Symphony No. 1” as a communicative medium for the AIDS crisis
   Communication Studies  ↗