Abstract

This essay suggests that Harrison’s representation of father–daughter incest in The Kiss draws on literary elements of two seemingly distinct genres, memoir and fairy tale, to tell a story of violence and violation in the white middle–class family. Through memoir, it argues, Harrison revises the moral and behavioral edicts that cultural narratives, especially traditional fairy tales dealing with father–daughter incest, seek to impose.

Journal
College English
Published
2004-03-01
DOI
10.58680/ce20042843
Open Access
Closed
Topics

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