Abstract
Aims to redefine what happens in the margins through a practice called “sideshadowing,” adapted from Bakhtinian theorist Gary Saul Morson’s examination of narrative technique. States that sideshadowing redirects the attention to the present moment, its multiple conflicts, and its multiple possibilities. Argues for sideshadowing’s potential to transform students’ (and teachers’) understandings of what a “good” essay is.
- Journal
- College English
- Published
- 1998-04-01
- DOI
- 10.58680/ce19983690
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