Abstract

Dispelling historical narratives in composition and rhetoric that largely depict nineteenth-century student compositions as “vacuous” themes, this archival study examines women’s compositions at Mount Holyoke Female Seminary as complex generic hybrids, in which the composition is fused with common social and dialogic forms.

Journal
College Composition and Communication
Published
2008-06-01
DOI
10.58680/ccc20086673
Open Access
Closed
Topics

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