Greek “Figured Speech” on Imperial Rome

Abstract

ABSTRACT Under the Roman Empire, the Greek elites expressed the greatest respect for the emperors and celebrated the advantages of Roman domination. But behind the brilliant façade, certain factors of complexity were at work. This article uses the notion of “figured speech” to detect covert advice or reservation in the works of Dio of Prusa, known as Dio Chrysostom, and Aelius Aristides, two important representatives of Greek literature and the so-called Second Sophistic (first to second century CE). By “figured speech” ancient rhetoricians meant the cases in which orators resorted to ruses to disguise their intentions, by using indirect language to get to the points they wanted to make. Our method consists of linking certain texts by Aristides and Dio and passages from theoretical treatises together to make clear the precise procedure of figured speech that is used in each case: eloquent silence, “the hidden key,” blame behind praise, generalization, and speaking through a mask. Figured speech is an avenue of research that is opening up to interpret Greek rhetoric and literature better. The Greek case is particularly rich, and it could help analyze the return of the same phenomenon in other epochs and other cultures.

Journal
Advances in the History of Rhetoric
Published
2015-07-03
DOI
10.1080/15362426.2015.1081525
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Citation Context

Cited by in this index (1)

  1. Advances in the History of Rhetoric

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Also cites 17 works outside this index ↓
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  12. Silence in the Land of Logos
  13. Aelius Aristides and Rome
  14. Epideictic Rhetoric: Questioning the Stakes of Ancient Praise
  15. L’Empire gréco-romain
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  17. The Orator in Action and Theory in Greece and Rome: Essays in Honor of George A. Kennedy
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