Abstract
The theory that reading is composing-an open-ended, investigative, and active process-is hardly new. Over the past few years, writing teachers have turned their attention to reading and extended the useful term to describe not only the recursive movement among the pre-writing, drafting, and revising stages of writing, but also the construction of meaning through reading. The theories they have drawn on range from the work of reading researchers like Harry Singer, Frank Smith, and Charles Cooper and Anthony Petrosky to critical theorists like Wolfgang Iser, Louise Rosenblatt and Roland Barthes.' While it is difficult to generalize about such wide-ranging work, a quick review of the literature of constructive reading shows agreement on one point: the power of conventions, or schemata, to shape our understanding of a text. But the language for naming this phenomenon is divergent. Reading researchers describe the process of composing meaning in apparently neutral terms-comprehending, reading for meaning, learning from text-and some separate a literal from an interpretive level of reading,2 using Benjamin Bloom's taxonomy (89-90), influential since the 1950s. Critical theorists, on the other hand, show that all composed meanings are interpretations; this is the view we want to illustrate as we describe, theoretically and practically, a sequence of writing assignments used to encourage interpretation in our introductory composition classes. In our view, the same questions asked by critical theory-what is reading, what is the status of a text, how do we clarify approaches to interpretation-are questions to be asked by composition teachers, whose job is to teach students how to compose readings of texts, literary and non-literary, written and nonwritten. With this aim in mind, we agreed to define interpretation as a process of both reading and writing. We discarded conventional injunctions to look at the words, as if simply gazing at words on the page would force them into meaning. We insisted instead that good readers must understand the assumptions that determine what they see, that good writers do not wait for meaning to take
- Journal
- College English
- Published
- 1987-10-01
- DOI
- 10.2307/377800
- CompPile
- Open Access
- Closed
- Topics
- Export
- BibTeX RIS
Citation Context
Cited by in this index (0)
No articles in this index cite this work.
References (0)
No references on file for this article.
Related Articles
-
Pedagogy Apr 2024modern rhetorical theory rhetorical criticism feminist rhetorics first-year composition writing pedagogy creative writing teacher development collaborative writing assessment technical communication professional writing grammar and mechanics literacy studies gender and writing literary studies book reviews editorial matter
-
Pedagogy Oct 2023rhetorical criticism first-year composition writing pedagogy writing across the curriculum two-year college teacher development collaborative writing assessment writing centers qualitative research multimodality literacy studies race and writing gender and writing disability studies affect and writing literary studies book reviews editorial matter
-
Pedagogy Jan 2023rhetorical criticism first-year composition writing pedagogy writing across the curriculum graduate education teacher development writing program administration writing centers digital rhetoric literacy studies gender and writing disability studies public rhetoric literary studies book reviews editorial matter
-
Journal of Response to Writing Apr 2026Testa, Andrew
-
Pedagogy Oct 2025modern rhetorical theory rhetorical criticism genre theory cultural rhetorics first-year composition writing pedagogy advanced composition creative writing writing across the curriculum graduate education two-year college service learning teacher development technical communication professional writing labor and working conditions archival research multimodality artificial intelligence literacy studies race and writing gender and writing disability studies literary studies editorial matter