In this entry, we argue that to promote multimodal literacy in online writing classes, instructors should address the following five practices in their course design:• Incorporate multimodal assignments and appropriate scaffolding tools;• Use multimodal instructional tools to teach and model multimodal composition;• Provide multimodal feedback to students' compositions;• "Teach" technology through the use of media labs;• Encourage reflection as a significant part of students' learning process.In so doing, we discuss each practice in depth, addressing the reasons and benefits for incorporating each, as well as advice about how to implement them. By implementing these practices in their online courses, instructors can successfully design classes that promote multimodal literacy.

McCracken explores how material conditions encountered by sex workers-realities that "are created and disrupted by discourse and rhetoric" (xxviii)-have the potential to both deny and construct agential choice. To do this, she used an ethnographic design to embed herself within a community of sex workers as a method for asking questions and spending time "with women who exchange sex for money or drugs and the myriad people who come in contact with them" (191). Consequently, as a researcher and a self-identified advocate for sex workers, McCracken argues for more complex interpretations of the stories, ones that can lead to robust solutions to the systemic and individual traumas experienced by them. Through critical discourse analysis, she disrupts the historical and cultural interpretations of sex workers, showing how these constructed realities have led to ineffective or limited solutions because they have historically been hindered by an over-reliance on the archetypal binary of victim/ survivor. This binary obscures not only the kaleidoscopic meaning of these workers' lives, but also limits opportunities for responsible rhetorical agency, or what McCracken calls agential choice.