Drawing upon scholarship on cultural-historical activity theory and writing across difference, this study investigated how students reflect on critical incidents in writing-intensive courses that are expansive by design, that is, spanning courses, semesters, communities, and cultures, and seeking to orient students toward critical incidents as catalysts for expansive learning. Findings indicate that students who reported valuing/understanding critical incidents in developing more expansive conceptualizations of literate activity tended to be further along in their studies, to be enrolled in courses with more reflective writing and semester-long community-engagement projects, and to have assumed significant team responsibilities. Students most frequently reported finding helpful concepts and design elements associated with the expansive-by-design classroom, and least helpful prior knowledge, skills, and experience (or lack thereof). The authors recommend more research into designing and assessing curricula bolstered by a writing across difference framework to illuminate the relationship between agency, sociocritical literacy, critical incidents, and expansive learning.

In expanding our minor in Professional and Public Writing (PPW), we drew on scholarship exploring tensions inherent in the field’s efforts to understand and present itself as a cohesive, yet capacious, discipline. Missing from the scholarship are the voices of students. To fill this gap, we conducted focus group interviews with PPW students at Roger Williams University. Our findings suggest that disciplinary tensions surrounding conceptions of writing are echoed in students’ perceptions of their experiences and how they understand themselves as writers. Even as they assert the importance of good writing skills in the workplace, they express an appreciation for courses in which writing for a variety of audiences is conceptualized as complex and flexible. Understanding the tension between these beliefs about writing holds significant implications for our future program development, especially with curriculum and recruitment. It can also help other programs as they expand their offerings.

This article examines the teaching of a multimodal pedagogy in an online technical communication classroom. Based on the results of an e-portfolio assessment, the authors argue that multimodality can be taught successfully in the online environment if the instructor carefully plans and scaffolds each assignment. Specifically, they argue for an increased emphasis within the technical communication classroom on teaching the e-portfolio as a genre that not only exemplifies students’ multimodal literacies but also establishes their identities as technical communicators in the 21st century. This article provides a model for teaching multimodal composition in the online technical communication classroom and calls for more scholarship on teaching the e-portfolio in the digital environment.

Situated in the literature on threshold concepts and transfer of prior knowledge in WAC/WID and composition studies, with particular emphasis on the scholarship of writing across difference, our article explores the possibility of re-envisioning the role of the composition classroom within the broader literacy ecology of colleges and universities largely comprised of students from socioeconomically and ethno- linguistically underrepresented communities. We recount the pilot of a composi- tion course prompting students to examine their own prior and other literacy values and practices, then transfer that growing meta-awareness to the critical acquisition of academic discourse. Our analysis of students’ self-assessment memos reveals that students apply certain threshold concepts to acquire critical agency as academic writ- ers, and in a manner consistent with Guerra’s concept of transcultural repositioning. We further consider the role collective rubric development plays as a critical incident facilitating transcultural repositioning.

Institutions of postsecondary education, and the field of writing across the curriculum and in the disciplines (WAC/WID) in particular, need to do more to trouble learning paradigms that employ writing only in service to particular disciplines, only in traditional learning environments, and only in particular languages, or in service to an overly narrow or generalized idea of who students are, where they're going, and what they need to get there. In relating a cross-section of a larger effort to study and support writing as a high-impact practice in a student chapter of an international nonprofit humanitarian engineering student organization, I will demonstrate that WAC/WID can and should empower students to use writing in student organizations, especially those that align with the four learning outcomes deemed essential by the National Leadership Council for Liberal Education and America's Promise, as a means of integrating into and interrogating their social and political realities, and reshaping postsecondary education to better meet their needs and goals as individual learners and as citizens in a deliberative democracy.

of New Mexico hosted the inaugural Summit of the National Consortium of Writing Across Communities (NCWAC) in nearby Santa Fe. In attendance were twenty-four established and emerging scholars and graduate students working in (and across) fields such as community literacy, writing program administration, writing across the curriculum, and second-language writing.