This article examines the connection between religion and literacy efforts on behalf of girls and young women in the early nineteenth-century United States by looking at the rapid proliferation of Catholic convent academies and the anti-Catholic sentiment that spurred the growth of proprietary academies, such as those of Mary Lyon and Catharine Beecher. It also examines how religious rhetoric influenced the curriculum in both Catholic and proprietor schools.

The temperance movement was the largest single organizing force for women in American history, uniting and empowering women seeking to enact social change. By the end of the century, more than two hundred thousand women had become members of the Woman's Christian Temperance Union (WCTU), and numerous others belonged to smaller temperance organizations. Despite the impact of the movement, its literature has been largely neglected. In this collection of nineteen temperance tales, Carol Mattingly has recovered and revalued previously unavailable writing by women. Mattingly's introduction provides a context for these stories, locating the pieces within the temperance movement as well as within larger issues in women's studies. The temperance movement was essential to women's awareness of and efforts to change gender inequalities in the United States during the nineteenth and early twentieth centuries. In their fiction, temperance writers protested physical and emotional abuse at the hands of men, argued for women's rights, addressed legal concerns, such as divorce and child custody, and denounced gender-biased decisions affecting the care and rights of children. Temperance fiction by women broadens our understanding of the connections between women's rights and temperance, while shedding light on women's thinking and behavior in the nineteenth century. Temperance writers featured in this reader include Louisa May Alcott, Mary Dwinell Chellis, Elizabeth Fries Lummis Ellet, Frances Dana Gage, Frances Ellen Watkins Harper, Caroline Lee Whiting Hentz, Marietta Holley, Elizabeth Stuart Phelps (Ward), Lydia Howard Huntley Sigourney, Elizabeth Cady Stanton, and Harriet Beecher Stowe. Water Drops from Women Writers features biographical sketches of each writer as well as thirteen illustrations.

Abstract After the thousands of years in which a masculine canon of rhetoric has been constructed, feminist scholars have recently worked to create a more inclusive tradition. While problems and concerns have arisen with regard to this change, my work with nineteenth‐century primary texts has convinced me that more time to explore extant texts can alleviate many of the apprehensions associated with this new research. Further time to recover, evaluate, and make meaning from additional information will allow for a more complete picture of women's rhetorical history. In addition, a greater breadth of knowledge will allow us not only to add figures to a more inclusive tradition, but to redefine what counts as evidence in evaluating rhetoric and rhetoricians. In this way we may create a more complete, honest, and interesting picture of the rhetorical tradition.

(1999). Friendly dress: A disciplined use. Rhetoric Society Quarterly: Vol. 29, No. 2, pp. 25-45.