Daniel Wuebben

3 articles
University of Nebraska at Omaha ORCID: 0000-0002-1776-0036

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Who Reads Wuebben

Daniel Wuebben's work travels primarily in Digital & Multimodal (100% of indexed citations) · 3 indexed citations.

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  • Digital & Multimodal — 3

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Counts include only citations from indexed journals that deposit reference lists with CrossRef. Authors whose readers publish primarily in venues without reference deposits will appear less central than they are. See coverage notes →

  1. 360° Video for Research Communication and Dissemination: A Case Study and Guidelines
    Abstract

    <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Introduction:</b> 360° videos are increasingly popular channels for science communication and higher education; however, time-limited 360° videos that disseminate scientific research via platforms like YouTube remain underexamined. To address this problem, this experience report reviews the creation and evaluation of six 2D video interviews and six 360° video tours. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">About the case:</b> The European Commission's Joint Research Centre (JRC) and other public-facing organizations already publish 2D videos on social media channels and host 360° video content on their institutional websites. This case addresses the affordances and constraints of creating short 360° videos for publication on public-facing platforms. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Situating the case:</b> 360° video content has been incorporated into science communication and pedagogical practices in higher education. The authors review these developments and show the need for further research on time-limited 360° video. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Methods/approach:</b> Scientists researching energy-related technologies were invited to record 2D video interviews. Based on these interviews, six transcripts for 360° videos were drafted and recorded in the same lab settings. When the videos were published, European researchers and communication professionals were recruited to complete a short survey evaluating the videos’ relative merits. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Results/discussion:</b> The survey results (n = 32) suggest a similar overall quality of the 2D video interviews and 360° video tours. Respondents ranked the interviewee or narrator as the best feature of both the 2D and 360° format, and 47% said that they would prefer to have a 360° video created about their research. Based on our experience, we provide guidelines related to the production and publication of short 360° videos. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Conclusion:</b> Further research and practice are required to understand which specific features of the 360° videos are most effective and whether this technology offers distinct advantages as a tool for dissemination. Further research and practice will establish more detailed approaches to 360° video.

    doi:10.1109/tpc.2022.3228022
  2. Typing Corrections: An Exploration & Performance of Prison (Type)Writing
    Abstract

    This article has been written about, and with, the Swintec 2410cc, the typewriter model approved for incarcerated writers in the State of Nebraska and many other prison systems across the United States. The co-authors, one of whom is currently serving a six year sentence, relate their personal experiences with typewriters and typists as well as connect functions described in the Swintec User Manual to issues in community literacy. The "Left/Right Margin" function reflects some of the institutional and material constraints prison typewriters face; "Impression Control" invites us to think about the forces and functions governing representations of prison and prison writing; this writing tool and the environment for which it was designed, demand one submit to the process of "Corrections". Finally, this typewritten performance models and attempts to enact critical literacy and social justice from within and beyond the typewriter's cage.

    doi:10.25148/clj.13.1.009067
  3. Getting Likes, Going Viral, and the Intersections Between Popularity Metrics and Digital Composition
    doi:10.1016/j.compcom.2016.08.004