Donald C. Stewart

35 articles
  1. The Life and Legacy of Fred Newton Scott
    doi:10.2307/358375
  2. Harvard’s Influence on English Studies: Perceptions from Three Universities in the Early Twentieth Century
    Abstract

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    doi:10.58680/ccc19928852
  3. Harvard's Influence on English Studies: Perceptions from Three Universities in the Early Twentieth Century
    Abstract

    Donald C. Stewart, Harvard's Influence on English Studies: Perceptions from Three Universities in the Early Twentieth Century, College Composition and Communication, Vol. 43, No. 4 (Dec., 1992), pp. 455-471

    doi:10.2307/358637
  4. Responses to Catherine E. Lamb, "Beyond Argument in Feminist Composition"
    Abstract

    Julie M. Farrar, Laurence E. Musgrove, Donald C. Stewart, Wayne Cosby, Responses to Catherine E. Lamb, "Beyond Argument in Feminist Composition", College Composition and Communication, Vol. 42, No. 4 (Dec., 1991), pp. 493-498

    doi:10.2307/358003
  5. Comments on John Trimbur's "Consensus and Difference in Collaborative Learning"
    Abstract

    Donald C. Stewart, Samuel Boothby, Kenneth A. Bruffee, Maxine C. Hairston, Comments on John Trimbur's "Consensus and Difference in Collaborative Learning", College English, Vol. 52, No. 6 (Oct., 1990), pp. 689-696

    doi:10.2307/378039
  6. What is an English major? Some afterthoughts
    Abstract

    (1990). What is an English major? Some afterthoughts. Rhetoric Review: Vol. 9, No. 1, pp. 128-131.

    doi:10.1080/07350199009388920
  7. Reply by Donald C. Stewart
    doi:10.2307/358164
  8. What Is an English Major, and What Should It Be?
    Abstract

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    doi:10.58680/ccc198911132
  9. Collaborative learning and composition: Boon or Bane?
    doi:10.1080/07350198809388840
  10. Longman Bibliography of Composition and Rhetoric: 1984-1985
    Abstract

    The Bibliography of Composition and is an annual, annotated, descriptive bibliography of work in rhetoric and composition. Its first vcdume contains 3,853 citations for titles appearing in 1984 and 1)85. The bibliographers received assistance from important authors and editors of publications in rhetoric, who stressed that subject-area bibliographies are an important way of asserting the legitimacy of a profession. The bibliography is a comprehensive, descriptive work encompassing the many disciplines that make up rhetoric and composition. The Thesaurus of ERIC Descriptors and convention programs of the National Council of Teachers of English and the Conference on College Composition and Communication helped define the terms and subjects covered in the profession. Next, the bibliographers mapped and clustered the terms, which cover works on written communication in English or other languages, the processes whereby people compose and understand written messages, and methods of teaching people to communicate effectively in writing. To write the entries, 152 teachers and researchers have volunteered their services, and use a handbook to create consistent 25to 50-word annotations that are descriptive rather than evaluative. They try to use original materials rather than copy from advertisers whenever possible, although most publishers will not provide examination copies. In the bibliography all entries are listed once, numbered, and cross-referenced. Computers are used for alphabetizing and typese'Aing, and it is projected that computers will be used more and more in future editions. (SEC) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** The Development of The Longman Bibliography of Composition and Rhetoric

    doi:10.2307/357650
  11. Review essays
    Abstract

    Karen Burke LeFevre, Invention as a Social Act CCCC Studies in Writing and Rhetoric. Carbondale: Southern Illinois University Press, 1987. 173 pages. Carol P. Hartzog, Composition and the Academy: A Study of Writing Program Administration. New York: MLA, 1986. xviii + 166 pages. Walter H. Beale, A Pragmatic Theory of Rhetoric. Carbondale: Southern Illinois Press, 1987. 171 pages. James A. Berlin, Writing Instruction in Nineteenth‐Century American Colleges. Carbondale: Southern Illinois University Press, 1984.92 pages.

    doi:10.1080/07350198709359157
  12. The Versatile Writer
    doi:10.2307/357736
  13. NCTE’s First President and the Movement for Language Reform
    Abstract

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    doi:10.58680/ce198611595
  14. NCTE's First President and the Movement for Language Reform
    doi:10.2307/377085
  15. The Status of Composition and Rhetoric in American Colleges, 1880-1902: An MLA Perspective
    Abstract

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    doi:10.58680/ce198513252
  16. Some history lessons for composition teachers
    doi:10.1080/07350198509359088
  17. Nothing new under the Sun— or is there?
    doi:10.1080/07350198209359038
  18. Contemporary Writing: Process and Practice
    doi:10.2307/356643
  19. Practical Work for Advanced Composition Students
    doi:10.58680/ccc198015971
  20. Rediscovering Fred Newton Scott
    doi:10.58680/ce197816081
  21. Rediscovering Fred Newton Scott
    doi:10.2307/376326
  22. Comp. vs. Lit.: Which Is Your Job and Which Is Your Strength?
    doi:10.58680/ce197816136
  23. Composition Textbooks and the Assault on Tradition
    doi:10.58680/ccc197816325
  24. Writing through Reading
    doi:10.2307/356261
  25. Rhetorical Malnutrition in Prelim Questions and Literary Criticism
    doi:10.58680/ce197716470
  26. Aesthetic Distance and the Composition Teacher
    doi:10.58680/ccc197517101
  27. An Advanced Composition Course That Works
    doi:10.2307/357179
  28. Four for Composition
    doi:10.2307/357268
  29. Rhetoric Readers
    doi:10.2307/356529
  30. Prose with Integrity: A Primary Objective
    doi:10.58680/ccc196920200
  31. Essays, Analysis, and--Better Writing?
    doi:10.58680/rte196920243
  32. Judas Lurking in an Opening Sentence
    doi:10.58680/ccc196820896
  33. The Most Important Exercise of All: Rewriting in Class
    doi:10.58680/ccc196720971
  34. A "Real" Audience for Composition Students
    doi:10.2307/355803
  35. A “Real” Audience for Composition Students
    doi:10.58680/ccc196521068