Due to its favorable reception circa 1970, the essay “Truth and Lies in a Nonmoral Sense” has solidified Nietzsche's monumental status within the field of rhetoric and writing studies, allowing those inheriting this perspective to put the essay to use without attending to its intertextual background. This article argues that examining the intertextual reception of Nietzsche's essay will not only disclose an invisible, and hence unacknowledged rhetor—Arthur Schopenhauer—hiding in the shadows of Nietzsche's fragmentary essay; doing so will also reveal to what degree this monument's preservation requires its background to remain forgotten.

In this webtext, we discuss one powerful way that writing program administrators (WPAs) can start to reshape their basic rhetorical situation, potentially shifting the underlying premises that external audiences bring to discussions about writing instruction. We argue that digital video, when used strategically, is a particularly valuable medium for communicating how writing courses promote student learning.