Gregory Clark
20 articles-
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Abstract This essay argues that the theory of form Kenneth Burke introduced in Counter-Statement can be read as articulating a usable concept of a rhetorical aesthetic. Here rhetoric involves identity in assertions and responses that develop through immediate encounters that prompt, even if just vicariously, a sensory experience. In their conventional conceptions, rhetoric engages concepts while aesthetic engages sensation and emotion—an overgeneralization that may still be more or less accurate. But if we conclude with Burke that it is not always useful to treat the rhetorical and the aesthetic as separate we might come to better understand the human tendency to abandon abstraction and dive into immediacy in matters pertaining to the alienation of self from community. Ideas and arguments bind people together or push them apart, but aesthetic experience does that as well and perhaps to greater effect. The essay explores that claim in the context of a contemporary revival of traditional Hawaiian music that draws directly on sensory experiences of life in Hawaii to assert aesthetically a place for Hawaiian identity in an American national community.
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Abstract This essay is a review of: Reverence: Renewing a Forgotten Virtue, by Paul Woodruff. Oxford: Oxford University Press, Citation2001. x + 248 pp. First Democracy: The Challenge of an Ancient Idea, by Paul Woodruff. Oxford: Oxford University Press, Citation2005. xv + 284 pp. The Necessity of Theater: The Art of Watching and Being Watched, by Paul Woodruff. Oxford: Oxford University Press, Citation2008. x + 257 pp. Additional informationNotes on contributorsGregory Clark Gregory Clark is a Professor in the English Department at Brigham Young University, 2004 JFSB, Provo, UT 84602, USA.
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Let's begin by taking this title at its words. The dominant word is bodies. This word prompts us to locate our reading of Burke on acts of symbolism and language in the context of bodily experience...
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(2000). Remembering Robert J. Connors. Rhetoric Society Quarterly: Vol. 30, No. 3, pp. 5-5.
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In this essay, I want to propose a shift away from … metaphors of territory and towards reconceiving rhetoric as something more like travel. What would change if we were to make such a shift? One thing that would change is our general understanding of the social context in which written texts have communicative function-what Thomas B. Farrell calls “rhetorical culture.”
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Preview this article: Review: Refining the Social and Returning to Responsibility: Recent Contextual Studies of Writing, Page 1 of 1 < Previous page | Next page > /docserver/preview/fulltext/ccc/48/3/collegecompositionandcommunication3158-1.gif
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Abstract Aeschines and Athenian Politics by Edward M. Harris. New York: Oxford U P, 1995. Pp. x + 233. The Presidency and the Rhetoric of Foreign Crisis by Denise M. Bostdorff. Columbia, University of South Carolina Press, 1994. Preface vii, 306 pp. The Fate of Eloquence in the Age of Hume by Adam Potkay. Ithaca: Cornell UP, 1994; pp. 253. Power and Persuasion in Late Antiquity: Towards a Christian Empire by Peter Brown. Madison: University of Wisconsin Press, 1992. 182 pages. Composition in Context: Essays in Honor of Donald C. Stewart. ed. W. Ross Winterowd and Vincent Gillespie. Carbondale and Edwardsville: Southern Illinois U P, 1994; xxxi; 266.
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Oratorical Culture in Nineteenth-Century America: Transformations in the Theory and Practice of Rhetoric ↗
Abstract
Gregory Clark S. Michael Halloran bring together nine essays that explore change in both the theory the practice of rhetoric in the nineteenth-century United States. In their introductory essay, Clark Halloran argue that at the beginning of the nineteenth century, rhetoric encompassed a neoclassical oratorical culture in which speakers articulated common values to establish consensual moral authority that directed community thought action. As the century progressed, however, moral authority shifted from the civic realm to the professional, thus expanding participation in the community as it fragmented the community itself. Clark Halloran argue that this shift was a transformation in which rhetoric was reconceived to meet changing cultural needs. Part I examines the theories practices of rhetoric that dominated at the beginning of the century. essays in this section include Edward Everett Neoclassical Oratory in Genteel America by Ronald F. Reid, The Oratorical Poetic of Timothy Dwight by Gregory Clark, The Sermon as Public Discourse: Austin Phelps the Conservative Homiletic Tradition in Nineteenth-Century America by Russel Hirst, of Citizenship in Nineteenth-Century America by P. Joy Rouse. Part 2 examines rhetorical changes in the culture that developed during that century. essays include The Popularization of Nineteenth-Century Rhetoric: Elocution the Private Learner by Nan Johnson, Rhetorical Power in the Victorian Parlor: Godey s Lady s Book and the Gendering of Nineteenth-Century Rhetoric by Nicole Tonkovich, Jane Addams the Social of Democracy by Catherine Peaden, The Divergence of Purpose Practice on the Chatauqua: Keith Vawter s Self-Defense by Frederick J. Antczak Edith Siemers, The of Picturesque Scenery: A Nineteenth-Century Epideictic by S. Michael Halloran.
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Preview this article: Rescuing the Discourse of Community, Page 1 of 1 < Previous page | Next page > /docserver/preview/fulltext/ccc/45/1/collegecompositioncommunication8798-1.gif
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The authors recount their attempt to analyze a case study in terms of two conflicting rhetorics: a collectivist rhetoric that values most the contributions individuals make to an ongoing collective project and an individualist rhetoric that values most the original and autonomous voice. These two rhetorics conflict in the experience of one writer working concurrently in a literature seminar within a university English department and in the public relations office of a reproductive services agency. This conflict, centering on different rhetorical ethics, had less to do with competence than with commitment: the writer's commitment to the individualist ethics practiced in the writing she did in the literature seminar prevented her from valuing the writing she did at the agency that worked toward a collectivist end. The authors then examine how this analysis is problematized by alternative interpretations of this case that demonstrate that the collectivist rhetoric practiced by researchers and theorists of writing itself involves the interaction of conflicting individualist assertions. This analysis suggests that the most useful theoretical insights any case might provide into the question of how writing ought to be taught are embodied in the exchange of interpretations that case provokes and in the confrontation of diverse arguments that emerge from that exchange.