Roland Barthes’s “The Death of the Author” is a foundational text for scholars who are addressing questions of authorship and textual ownership in English studies and its neighboring disciplines. Barthes’s essay is typically presented without significant attention to the circumstances and context surrounding its initial English publication in 1967 (not in 1968, as is often stated). This project works to better understand that context, and thereby to better understand Barthes’s argument. Although it has often been claimed that Barthes’s essay has a “revolutionary spirit,” this spirit is not directly political in nature. Rather, it is grounded in an artistic revolution that was producing sophisticated multimedia well before digital tools made multimedia commonplace.

Abstract Close readings of passages addressing "books" and "authors" in 20th Century renditions of Plato's dialogues reveal highly variable translations. These translations track along with the rise and fall of literary! critical movements celebrating and critiquing the figure of the author, and respond to the increasingly dominant understanding of the Fifth Century BCE as a predominantly oral culture. These ultimately contradictory representations of the same Platonic texts illustrate how translators craft texts tailored to their times 'favored theoretical constructs. Nevertheless, the cumulative effect of these variable translations is to suggest the degree to which Plato's treatment of questions of authorship shapes and circumscribes putatively modern discussions of these questions.

Quintilian is known primarily as an advocate of a pedagogical system grounded in imitation. But in Book XII of the Institutio Oratoria, Quintilian states that he has left the work of his predecessors behind and, further, that he is offering an original contribution to the rhetorical tradition. Quintilian's claims of originality and proprietary interest throughout his texts demonstrate that he is continually announcing himself as an author, in surprisingly modern terms. This paper argues that Quintilian honors his own demand that the ideal rhetor move beyond quotation and canny arrangement of his predecessors' work.

Abstract This paper analyzes a recent Internet‐based protest action in terms of its historical and rhetorical antecedents. Throughout the mid‐1990s, the GeoCities company offered visitors a “deed”; to a small portion of electronic storage space, so long as these virtual “homesteaders”; maintained and improved these parcels of cyberspace‐based “property.”; This exchange, based expressly on the terms of the 1862 Homestead Act, proved popular, and GeoCities thrived to the point that it was taken over by the Internet giant Yahoo. When Yahoo circulated a change in the GeoCities Terms of Service which claimed ownership to the intellectual property found on the homesteaders’ home pages, the residents of GeoCities responded with a visually sophisticated protest which quickly generated national publicity and created a public relations nightmare for Yahoo. This protest ultimately demonstrated the homesteaders ‘ability to organize online, and then to discover the available means of persuasion within the relatively novel communicative spaces of the World Wide Web.

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