AbstractStudents are more likely to embrace failure in learning when they are intrinsically motivated, but formal education in the United States operates through extrinsic rewards that make failure something to fear and avoid. Accordingly, the author examines the lessons of “Failure Club,” a writing course he designed to challenge this basic pedagogical contradiction.

Emerging from the keynote address at the inaugural Conference on Community Writing, this snapshot examines how an engaged infrastructure for community writing might operate as a flow-cultivation milieu. Such a milieu would facilitate self-determination, which suggests that people do their most compelling, rewarding, and innovative work when they exercise autonomy, pursue competence, and feel purpose; wise mentorship, in which mentors and mentees interrelate in an ongoing manner that supports mutually high expectations and achievements, and a listening stance that broadly distributes participation and shared learning. This snapshot also argues that, should an engaged infrastructure ever cease operating as a flow cultivation milieu, it should be dismantled.

tatiana Jefferson's face shows on the large screen. Carmen Kynard looks straight at the audience packed into the Irvine Auditorium at University of Pennsylvania and asks us to consider how our teaching, our research, and our activism respond to the life and murder of Jefferson, a 28-year old Black woman fatally shot by police in her own home a week earlier. Kynard posed this question during her keynote address at the third biennial Conference on Community Writing as part of her overall challenge to community writing and literacy scholars, teachers, and activists not to confuse the job with "the work. " In her essay "' All I Need Is One Mic': A Black Feminist Community Meditation on the Work, the Job, and the Hustle (& Why So Many of Yall Confuse This Stuff), " which expands on her keynote address, Kynard argues that a Black feminist imaginative is essential for dismantling white supremacy in our classrooms. Since Kynard's keynote in October 2019, many, many more Black people have been murdered by police, in the streets and in their homes. The antiracism protests happening daily in cities across the country as we write this Introduction in Summer 2020 only heighten the urgency of Kynard's question. How, in everything we do, are we addressing white supremacy and the unrelenting violence against Black and Brown lives? Through a series of meditations and counterstories, Kynard navigates her own and imagined classrooms to investigate why she has "been sent" to do the work she does. Her advisor, Suzanne Carothers, urged Kynard, "do not confuse the WORK with the JOB. " Ultimately, Kynard finds a violence in universities that we must counter through radical and disruptive antiracist work, which we must do often in spite of job requirements or the professionalization obligations that Kynard calls "the hustle. " In fact, "the work, " the real work of justice, "the healing and regenerative practices" we're called to, may in fact run counter to our jobs insofar as these jobs are tied to the violence of institutional, linguistic, and pedagogical racism. How do we center Atatiana Jefferson in our work? Celebrated, award-winning artist Michelle Angela Ortiz has spent the last twenty years as a public artist, community arts educator, activist, and filmmaker, using art as a tool for social change and cultural expression. In "Amplifying Community Voices through Public Art, " her CCW keynote address originally delivered at the Free Library of Philadelphia, Ortiz shows us and explains several of her large-scale mural projects from around the world. In places as varied as Philadelphia, PA and Buenos Aires, Argentina, Ortiz has worked alongside populations such as patients living with mental illness and farmer's market vendors. Ortiz explains how through word and image, her murals highlight the culture and memories of indigenous peoples in the United States and immigrant families separated from one another. In this essay,

As the people most directly harmed by standardized education, students must lead both local and national fights for progressive, alternative pedagogies. This article exhorts writing teachers to help cultivate youth agency by establishing a Rhetoric Project in concordance with the Algebra Project, which employs mathematics literacy and community organizing as tools for promoting quality education. Specific Rhetoric Project efforts can include building cultures of rhetorical literacy and updating traditional organizing methods for twenty-first-century contexts. The Rhetoric Project is framed as an initial step toward a potential interdisciplinary alliance of writing and mathematics teachers and students.

This essay revises Paula Mathieu’s call for relationship-based tactics of engagement over institution-based strategies. Because engaged scholars operate within institutional contexts, they should utilize both tactics and strategies to make the academic institutional paradigm more conducive to relationship-based engagement. In supporting this long-term goal, community-literacy practitioners can adapt Brian Huot’s theory of instructive evaluation to enable collaborative assessment of community partnerships. One possible mechanism for such institutional invention would be the establishment of quasi-strategic, quasi-tactical Community- Literacy Associations.