In classical stasis, jurisdiction questions are posed within a traditional institutional context where speakers share material proximity and a background consensus. However, in modern literate controversies, it can be difficult to assume either of these kinds of shared experience. This study shows how cultural professionals writing about the Brooklyn Museum controversy used referee design to help constitute the art world jurisdiction. Referee design can extend classical stasis frameworks to help explain jurisdiction in cases where ostensive participants are writers and readers who do not share proximity or a background consensus.

Readers’ objectivity and bias evaluations of news texts were investigated in order to better understand the process by which readers make these kinds of judgments and the evidence on which they base them. Readers were primed to evaluate news texts for objectivity and bias, and their selections and metacommentary were analyzed. Readers detected bias in passages with stance markers, and detected objectivity in those lacking stance markers. In their metacommentary, readers tended to characterize objective texts as lacking purpose, or having a merely descriptive or expository purpose, and biased texts as exhibiting explicit interpretive or argumentative purposes. Unlike studies that locate objectivity or bias in news texts, or test it by asking about the fidelity of texts to their sources, our study examined the evaluations of readers in their interactions with texts. It shows how objectivity and bias evaluations are a multiply determined part of a communication dynamic rather than a fixed quality of a text.

Journalists contribute in many routine ways to public controversies, ways that are often overlooked in traditional criticism. They have tended to be overlooked in part because of the agonistic argument dialogue that functions as a tacit, a priori location for controversy, and in part because of the tendency of traditional critics to treat news texts as reflections of controversy rather than contributions to it. This essay examines in detail journalists' entextualization and recontextualization of Mayor Rudolph Giuliani's discourse from a press conference on September 22, 1999 in order to explain one way that they contributed to the Brooklyn Museum controversy. The analysis adopts a constitutive attitude toward controversy, asking how our habits of talking and writing contribute to our impressions of a controversy as an autonomous cultural phenomenon.